Training Of The Actor
Mostrando 13-20 de 20 artigos, teses e dissertações.
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13. Uma maneira singular de estar no mundo : ser professor.
The aim of this thesis is to deal with the phenomenon of the teachers training that comes from the sense constructed by the teachers, during the first years of their professional career, after the end of the graduation in pedagogy at UNEB State University of Bahia. Seven teachers participated to the study. Their utterances were registered in three different
Publicado em: 2009
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14. Uma maneira singular de estar no mundo: ser professor.
The aim of this thesis is to deal with the phenomenon of the teachers training that comes from the sense constructed by the teachers, during the first years of their professional career, after the end of the graduation in pedagogy at UNEB State University of Bahia. Seven teachers participated to the study. Their utterances were registered in three different
Publicado em: 2009
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15. Reason and emotion in creating a body s dramaturgy in dance theater / Razão e emoção na criação de uma dramaturgia do corpo em dança teatral
This research, entitled Reason and emotion in creating a body s dramaturgy in dance theater, was inspired in Paradox of comedian by Denis Diderot, which raises the question of reason and emotion as a paradox of the actor s work. Based on this principle we present the discussion of reason and emotion in the creative process in dramatical arts with an emphasis
Publicado em: 2009
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16. O Programa de Educação Superior para o Desenvolvimento Regional/SC -PROESDE: um estudo sobre o artigo 170 da constituição estadual de Santa Catarina
In Latin American, mainly in Brazil, the production of knowledge and the politics of economical and social development of several regions in the country- which will be called Regional Development (RD)-have taken as one of its pillar since 1960, the Universities. They have been designated the task to produce science and technology (S&T) and to enable professi
Publicado em: 2008
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17. Preparação corporal do ator para o teatro de animação : uma experiência / Preparação corporal do ator para o teatro de animação : uma experiência
It investigate the role of the body in the animation theater, a theatrical gender that uses masks, puppets and objects as its main way of expression. The actor of this theater, known as actor-entertainer, actormanipulator or actor-puppeteer, has as his main characteristic the expression through the material elements mentioned above. Aim: to propose a basic b
Publicado em: 2007
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18. A voz integrada: uma análise das proposições de Grotowski, Barba e Staniewski para o treinamento vocal e sua aplicação na preparação do ator.
The aim of this dissertation was to develop a methodological proposal for the vocal preparation of the actor based on an analysis of the voice training developed by Jerzy Grotowski, Eugenio Barba and Wlodzimierz Staniewski. After a brief summary of the authors artistic experience and the three directors careers, recurring elements common to the vocal trainin
Publicado em: 2005
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19. Antes da cena, o treinamento: o trabalho do ator nos bastidores de si mesmo
O presente estudo se propõe a investigar o papel do treinamento pré-cênico no trabalho do ator, buscando evidenciar os elementos que se constituem em suas bases materiais Para tanto, busca referencias teóricas-práticas na Antropologia Teatral, disciplina que Eugenio Barba define como " o estudo do ser humano em situação de representação organizada".
Publicado em: 2004
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20. Angola Capoeira like actors training. / Capoeira Angola como treinamento para o ator.
The focus of this investigation rests on contemporary Angolan Capoeira practice in the city of Salvador, Bahia in terms of a corporeal agent acting out Capoeira play. The hypothesis herein presented is predicated on the assumption that Capoeira contains technical and symbolic facets that are useful for theatrical training. Thus, the technical and symbolic so
Publicado em: 2002