Play Theatrical Text
Mostrando 1-11 de 11 artigos, teses e dissertações.
-
1. As marcas de oralidade e a construção da metamensagem em A falecida, de Nelson Rodrigues
Este trabalho estuda as marcas de oralidade e a manifestação das metamensagens na tragédia carioca, A falecida, de Nelson Rodrigues, a fim de compreender se esse texto literário pode fornecer-nos marcas linguísticas capazes de funcionar como estratégias interacionais. Buscamos entender como um texto construído, um chamado corpus de segunda mão, conse
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 19/04/2012
-
2. Por entre as coxias: A arte do efêmero perpetuada por mais de Sete Minutos
The research tried to build a dialogue between art and society, having the play: Sete Minutos as the object of study, written and starred by Antonio Fagundes in 2002. In this contract, three niches of the debate are settled: reception, staging and theatrical text. At first, the questions were directed by the speeches prepared by the critics, taking into acco
Publicado em: 2010
-
3. Mitodrama do fogo: o discurso mítico e duplicado em Nória e Prometeu de Armando Nascimento Rosa
In the play Nória e Prometeu (2005), by the Portuguese playwright Nascimento Rosa, there are, characters like Prometheus, Noria, Adam and Eve and Science fictions elements which allow the question: who is this new Prometheus? How are the archaic elements reorganized in the contemporary speech? It is in the mythical recontextualization that this paper finds
Publicado em: 2010
-
4. Na Mata tem esperança : encontros com o corpo sambador no cavalo marinho / Na Mata tem esperança : meetings with cavalo maribho dancers body
In this dissertation, the experiences generated from encounters with the cavalo marinho play - a popular Brazilian folk tradition of the Northern Mata Zone of Pernambuco State - are approached both critically and reflexively. The aim of this research was the appropriation of elements of this game to be used in professional training procedures of actor-dancer
Publicado em: 2010
-
5. The Desdêmonaplay by the iraqian writer Yousif El-Saigh, motivated by William Shakespeares "Otelo" / A peça Desdêmona, do iraquiano Yousif El-Saigh, motivada por Otelo, de William Shakespeare
The objective of this study is to present the translation of the play Desdemona by Iraqi writer Yousif El-Saigh from Arabic to Portuguese. The play is based on Othello by William Shakespeare. In 1989 Desdemona won the prize for best theatrical text in the fourth edition of The Theatrical Days of Carthage Festival, in Tunisia. Desdemona is considered a landma
Publicado em: 2007
-
6. Paixões em cena a semana santa na cidade de Goiás
Vila Boas 19th century Holy Week is herein approached as articulating discoursive practice from different fields of symbolic production, marked by dionysiac and theatrical rhetoric which reminds of the visual feasts baroque configuration, settling the question as representation of political, cultural and social projects. It is therefore understood that the d
Publicado em: 2007
-
7. THE INVENTION OF BISPO DO ROSARIO / A INVENÇÃO DE BISPO DO ROSARIO
A invenção de Bispo do Rosario, by potentializing possible senses of the word invention, evokes the creative act and the discovery, as operations of the author and the reader (receiver), simultaneously. By this way, Bispo do Rosario is seen as an inventor and as an object of invention. In the scope of the object of invention, are projected the adventure of
Publicado em: 2006
-
8. Com os séculos nos olhos: teatro musical e expressão política no Brasil, 1964-1979
The practice of musical theater in Brazil began on the second half of the 19th century, particularly in the last two decades. A genre of irregular effectiveness, the musical has had its productive moments, followed by less abundant periods. One of its most fertile phases, in this country, was during the 1960s and 1970s. At that time, Brazilian theater was of
Publicado em: 2006
-
9. Respiração encena: um olhar fonoaudiológico no teatro / Breathing inscene
The breathing way of each human being is revealing and the actor investigates vocal and corporal possibilities from the moment of rehearsals to theater play presentations Goal To describe from the Speech Therapy point of view an experience done with a couple of actors during the production of a play in which the main developed aspect was the breathing work i
Publicado em: 2005
-
10. Corporeidade da voz : estudo da vocalidade poetica
This material springs from a practical investigative work on voice based on the principie of natural, intuitive sensorial knowledge of the body. The text explains the various investigative stages in the process of collecting and analysing both experiments and pedagogical theories on the actor s voice, in establishing guidelines on the issues of body awarenes
Publicado em: 2004
-
11. No caminho do mito : um olhar sobre o processo de criação de Nonoberto Nonemorto - Grupo Andaime de Teatro Unimep
This research proposes to investigate the creative process followed by the Unimep theatrical group Andaime for the performance of Luís Alberto de Abreu s play Nonoberto Nonemorto. Director Francisco Medeiros brought his invaluable insight to the text and to his actors work. This author has participated as an actor in this and in three other plays which emco
Publicado em: 2002