Mitodrama do fogo: o discurso mítico e duplicado em Nória e Prometeu de Armando Nascimento Rosa

AUTOR(ES)
DATA DE PUBLICAÇÃO

2010

RESUMO

In the play Nória e Prometeu (2005), by the Portuguese playwright Nascimento Rosa, there are, characters like Prometheus, Noria, Adam and Eve and Science fictions elements which allow the question: who is this new Prometheus? How are the archaic elements reorganized in the contemporary speech? It is in the mythical recontextualization that this paper finds the playwrights text. It compares the myths in order to demonstrate how they come close and/or they distance from the paradigms by examining the relationships between the self and the other in the play, in order to check how myth is reconstructed today. Its theoretical basis are the discoursive studies from Mikhail Bakhtin, specially in the works The popular culture in the Middle Ages and in the renascence (2008a) and Problems of Dostoevskys Poetics (2008b). We can conclude that Nascimento Rosa shows a theatrical text that amplifies, raises and lets down the signification of robbery of the fire and it creates a Prometheus that is not titan anymore, he is neither divine nor human.

ASSUNTO(S)

double teatro mito duplo dialogismo linguistica, letras e artes theater myth dialogism

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