Music Educator
Mostrando 1-12 de 18 artigos, teses e dissertações.
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1. O mestre de Filarmônica da Bahia: um educador musical.
The subject of this work is the pedagogic practice of the masters of the bands of the Bahia State, Brazil. These masters, main figures of this pedagogy, developed music education didactic that makes possible to adapt the music training to the individuality of each apprentice. The major part of this process of learning takes place with the veteran musicians a
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 22/02/2011
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2. Música e inclusão: necessidades educacionais especiais ou necessidades profissionais especiais?
The main objective of this study is to analyze the situation of music education in the face of recent changes in national legislation in relation to educational inclusion of people with disabilities trying to place the music educator in this context. To answer the questions posed it was carried out a survey of publications on music education, special educati
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 15/12/2010
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3. O som, seus parâmetros, e a música: o ensino dos elementos musicais
This is a theoretical and field research work, with the purpose of producing pedagogical guidelines for the teaching of music. Its purpose is to propose an alternative for teaching of musical elements (melody, rhythm, harmony and timbre, among others) by its observation as a physical phenomenon; study the origin of these elements by means of sound parameters
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 05/08/2010
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4. Percursos e deslocamentos : historias de formação de uma pedagoga no campo das ações socio-educativas / Tours and displacement : histories of the formation of a pedagogue in the field of social-educational
This dissertation makes a review of autobiographical aspects of the author s formation as educator and later, pedagogic coordinator, in peculiar contexts and places, the called social-educative actions. This are histories of the Non-formal Education field developed by assistencial institutions that happens in the supplementary activities outside class time,
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 27/01/2010
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5. MÚSICA NA DOCÊNCIA DE EDUCADORAS ESPECIAIS: Um estudo em escolas de Santa Maria/RS / MUSIC IN TEACHING OF SPECIAL EDUCATORS: a study in schools of Santa Maria/RS
The present study was linked to education and research line of Arts PPGE/UFSM and FAPEM research group: training, action and research in music education. It aimed to understand how the special educators, who teach in schools of basic education of Santa Maria, understand and use music in their teaching practices. The specific objectives are: (a) to investigat
Publicado em: 2010
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6. Referenciais para o ensino de violão na formação do musicoterapeuta / References for the teaching guitar in the training of music therapists
This work, in view of encompassing a interdisciplinary research, presents as theoretical references, knowledge in the areas of high learning education, Music Therapy and Musical Education. In general, the guitar teacher, while involved in the teaching of Music Therapy is frequently faced with specific challenges in the area where the guitar traditional teach
Publicado em: 2010
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7. Como se fora brincadeira de roda: a ciranda da ludopoiese para uma educação musical humanescente
The present work concerns an auto-ethnographic study based on life experiences and reflections of an educator at Escola Viva Preschool and Elementary-Middle School, located in the city center of Natal, Rio Grande do Norte. As a cognitive model of operation, we use the metaphor of the Circle Dance. The objective of this study is to identify, interpret and des
Publicado em: 2010
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8. The blue dress: education and music in the childhood: anthropological considerations / O vestido azul: educação e música na infância - ressonâncias antropológicas
This dissertation is about a study that intends to go underneath the reflection of music and education in the childhood. This way, its not about creating new methodologies on how teaching music or technical-musical considerations for didatic aplications, but the possibility of a childhood education focused on an encounter between professor and pupil, the sea
Publicado em: 2010
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9. O ensino da Arte/Música por educadores não especialistas do Ensino Fundamental: um experimento didático-formativo
The purpose of this research is to investigate a methodological proposal of music teaching, whereas its one of the arts languages to be applied to educators as an exercise with no specific formation. The theme election was motivated by researchs reports where is evidenced that Art educators, in many cases, doesnt have a specific formation in the area. In thi
Publicado em: 2009
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10. Dança e música : por uma educação humanizadora em prática musical coletiva
This Masters Dissertation introduces a dialogue between music and dance languages in a collective music practice context, more specifically in a community orchestra. With this purpose, the researcher, dancer and dance educator shares her own experiences in the field of Music Education and discusses the interaction developed with some members of the Experimen
Publicado em: 2009
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11. A saxophone analysis of quartets by Carlos Malta : the educator, the composer and the musician / Uma analise dos quartetos de saxofone de Carlos Malta : o educador, o compositor e o instrumentista
This study tries to study and understand the way that the Carlos Malta s actuation like composer /arranger, educational and musician is present in his play. We take like object of analysis the quartets of saxophones Ponto de Bala and Paradindonde, composed by Carlos Malta and Baião de Lacan and Catenga, by Guinga and Hermeto Pascoal respectively, arranged a
Publicado em: 2009
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12. A música, a narrativa e a formação de professores / Music, narrative and teachers formation
Research about the use of the narrative on the musical educator formation. It is based on the conviction that the verbal argumentation is relevant for the dialog about the music teaching and that this potentially leads to the democratization of the comprehension of its wide and specialized knowledge field. The researcher is implicated on this thematic in tri
Publicado em: 2008