Cinematographic Language
Mostrando 1-12 de 19 artigos, teses e dissertações.
-
1. Alegoría y símbolo en el cine barroco y moderno. Estrategias retóricas, amplificación de sentido
Abstract Rhetorical strategies, amplification of meaning The scope of this paper is to show how allegory and symbol, in the framework of the baroque and modern cinema, are not ornamental mechanisms, but a form of semantic invention capable of questioning the grammaticalization of the cinematographic language. We don’t intend to make a historiographic analy
Galáxia (São Paulo). Publicado em: 2017-12
-
2. Processos de estigmatização e contornos da deficiência : olhar para o cinema, olhar para as (im)possibilidades de ser
This dissertation¿s objective is the analysis of processes of stigmatization that limit spaces of belonging and the possibility of growing up of the subject with disabilities that are considered deviant, offering visibility to the respective naturalization dynamics, using cinema as a support tool. In this context, the spaces of belonging, as possibility of
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2012
-
3. ABOUT IMPOSSIBILITIES AND LIMITS OF REPRESENTATION IN THREE NOVELS BY MARGUERITE DURAS / DE IMPOSSIBILIDADES E LIMITES DA REPRESENTAÇÃO EM TRÊS TEXTOS DE MARGUERITE DURAS
This work aims at verify the implications in Marguerite Duras literary aesthetic by proposing the denial of representation, through transgression to the traditional narrative. Starting from three texts by Duras which dialogue with the cinematographic language Le camion (1977), Le Navire Night (1979) and La maladie de la mort (1983), this work, throughout thr
Publicado em: 2009
-
4. A apropriação crítica da arquitetura e urbanismo modernos através da linguagem cinematográfica: Playtime, 1967, de Jacques Tati / A critical appropriation of modern architecture and urbanism through cinematographic language: Playtime, 1967, by Jacques Tati
A relação do cinema com outras linguagens e outras artes tem despertado grande interesse em novos trabalhos de pesquisa no âmbito da pós-graduação, e se insere no interior de uma pluralidade de posturas de investigação adotadas a partir dos anos 1980 acerca do espaço fílmico. Partindo da relação entre arquitetura/urbanismo e cinema, este trabalho
Publicado em: 2009
-
5. A dimensão do silêncio no cinema de Valerio Zurlini / A dimensão do silêncio no cinema de Valerio Zurlini
This is an analysis of what we understand to be the main issue in Valerio Zurlinis cinema, the measure of silence, and how this is pontuacted in the form of pauses, ellipses and silences among the images. Trought the esthetic filter that the director himself provide to us two of his works come forward: Cronaca Familiare (1962) and La Prima Notte di Quiete (1
Publicado em: 2008
-
6. Errância e construção do espaço no cinema moderno Uma leitura da obra de Roberto Rossellini
This dissertation examines the construction of the cinematographic space in the work of Roberto Rossellini and the role of the wandering of the characters in the communication system of films. With basis on the considerations of Gilles Deleuze in Cinema I Movement-Image and Cinema II The Time-Image, we shall analyse the manner by which the perambulation and
Publicado em: 2007
-
7. The "adhemarista" representation through the cinematographic language (1947-1956) / Um bandeirante nas telas de São Paulo: o discurso adhemarista em cinejornais (1947-1956)
Since 1946 the democratization of political participation has aimed reaching the electors in a wider way. As an example of this we have studied the visibility of the political campaigns of Adhemar Barros in São Paulo. The media vehicle was inspired and tested in a dictatorial context (that was recent at the time) and it gave life to his speech: the newsreel
Publicado em: 2007
-
8. Aprendizagem frame a frame: fascínios e armadilhas do uso do documentário na práxis pedagógica.
This mastership dissertation, in a qualitative approach, argues, through stories and immediate observations, the meanings and senses that the teachers attribute to the use of the documentary in the classroom. It also analyzes its pedagogical application as possibility to approximate, through an aesthetic experience, the school education to a praxis. For in s
Publicado em: 2007
-
9. Initiation : a videographic look on Shavante myth and ritual / Iniciação : um olhar videografico sobre mito e ritual Xavante
The purpose of this work was the production of a short documentary film about the Shavante?s initiation ritual realized in 2005 between May and August in indian village called Sangradouro located in State of Mato Grosso. A brief introduction on important aspects of Shavante social structure is initially presented to permit understanding of the initiation rit
Publicado em: 2007
-
10. Sete afluentes para Robert Lepage / Seven streams to Robert Lepage
This dissertation discusses the work of the Canadian director Robert Lepage. It proposes to reflect on his method of bringing specific elements to theater or cinema, creating, through the dialectics between them, a singular and hybrid poetics. A director herself, the dissertation.s author uses as a foundation her own creative process (in the play Ofélia em
Publicado em: 2007
-
11. Os signos educativos presentes no cinema: uma análise dos filmes dos trapalhões da década de 1980
The present work has as its objective the analysis of educational signs in the Os Trapalhões comic groups cinematographic language, verifying through those signs the possibility to create educational subsides for the teaching and learning process in the Basic Education, so that they provide the children with educational contexts. This research, which is ins
Publicado em: 2007
-
12. Cinema e poesia: uma relação intersemiótica em Akira Kurosawa
This work proposes a reflexion about the intersemiotic translation between cinema and the poetic language as from an analysis of the film Dreams (Japan, 1990), by the Japanese director Akira Kurosawa under an esthetic and semiotic perspective. Such approach takes, as its basic assumption, the reflection of the presence of poetic elements in the construction
Publicado em: 2006