Cinema e poesia: uma relação intersemiótica em Akira Kurosawa

AUTOR(ES)
DATA DE PUBLICAÇÃO

2006

RESUMO

This work proposes a reflexion about the intersemiotic translation between cinema and the poetic language as from an analysis of the film Dreams (Japan, 1990), by the Japanese director Akira Kurosawa under an esthetic and semiotic perspective. Such approach takes, as its basic assumption, the reflection of the presence of poetic elements in the construction of cinematographic narrative and, meanwhile in its esthetic and linguistic composition. In this perspective the objective of this investigation is to highlight the concepts of Poetic image, Mounting, Time and Space in Cinema, Haikai poetry and Cinema as well as Artistic Interactivity in the constitution of the poetic language in cinema as a whole and especifically in Dreams. When we propose this study on the possible interferences of a poetic language in cinematographic system, what we intend to study is the occurence of a Poetic Cinema, widespreading the debate about the ways of apprehention of the poetic language in other artistic supports, relating it with different artistic and cultural representations and with the Japanese culture itself. Therefore this study also includes some analysis about films which, in some ways have provided a dialogue between the poetic and the history of cinema theories.

ASSUNTO(S)

mounting comunicacao cultura japonesa e o cinema cinema poético montagem relação intersemiótica imagem poética e narrativa japanese culturee and cinema poetic image and narrative poetic cinema intersemiotic relation

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