Artistic Practices Procedures
Mostrando 1-12 de 14 artigos, teses e dissertações.
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1. Desenho e subversão: diálogos crítico/processuais
"DRAWING AND SUBVERSION: critical/process dialogues" is a investigation in visual poetics with the purpose of confronting drawings with the printed newspaper. This proposal describes and analyzes drawing practices that change the content on the sheets of a newspaper, emphasizing possible meanings from the artistic interference. The intention is to expose a b
Publicado em: 2011
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2. Piada explicada : imagem e humor em uma pesquisa em poéticas visuais
This dissertation aims to discuss my artistic practice, developed initially in video and film, and now also expanded to the practices in photography and installation, analising how this practice constitutes itself, as well as the conceptual issues that problematize it. In order to do that, this research brings to light the artworks It¿s great to be rich!, M
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2011
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3. O violÃo clube do CearÃ: hÃbitus e formaÃÃo musical / The guitar club CearÃ: habitus and musical training
In the period 1945 to 1962 arose in Fortaleza a group of guitarists, the VIOLÃO CLUBE DO CEARÃ (Ceara Guitar Club), with the sole purpose of playing music on guitar. This thesis aims to understand the processes that enabled the emergence of this institution in the music scene, anchored in an approach based on the concepts of habitus, field and capital of P
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 10/12/2010
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4. Na Mata tem esperança : encontros com o corpo sambador no cavalo marinho / Na Mata tem esperança : meetings with cavalo maribho dancers body
In this dissertation, the experiences generated from encounters with the cavalo marinho play - a popular Brazilian folk tradition of the Northern Mata Zone of Pernambuco State - are approached both critically and reflexively. The aim of this research was the appropriation of elements of this game to be used in professional training procedures of actor-dancer
Publicado em: 2010
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5. Laboratório no museu: práticas colaborativas dentro de instituições de arte
Durante as décadas de 196070, o Museu de Arte Contemporânea da Universidade de São Paulo (MAC/USP), sob a direção do prof. Walter Zanini, serviu de espaço para a experimentação de diversas linguagens artísticas. Entre as inúmeras atividades realizadas pelo diretor Walter Zanini, está a sua participação na Conferência Internacional de Museus e C
Publicado em: 2010
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6. Juventude, arte e poesia: a constituiÃÃo histÃrica do CRIA â Centro de ReferÃncia Integral de Adolescentes / Youth, Art and poetry: the historical construction of CRIA - Centro de ReferÃncia Integral de Adolescentes
This research was used in Method History (arch-genealogy), to learn the meanings of teaching practices and proposals offered to young people who are integrated into programs and / or educational projects in a non-school institution. The empirical field was the CRIA â Centro de ReferÃncia Integral de Adolescentes, an NGO working since 1994 with artistic tra
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 21/07/2008
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7. Entre nós: articulações artísticas colaborativas
This master thesis deals with my current artistic practice that embraces collaborative and participative artistic processes that are connected to specific contexts. In this research, I discuss how procedures in my work are related to the universe of artistic procedures opened up since the 1960s that have sprung up with the questioning of the work of art as a
Publicado em: 2008
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8. Irreconhecível e sutil no espaço de vivência cotidiana: análise de situações e procedimentos performativos de uma prática artística
The present research aims to reflect on three moments of my artistic production, organized into three chapters. The first chapter, called Fake Truth, discusses a series of work developed individually; the second one, called The Artists, discusses the actions fulfilled together with the artist Adriana Barreto. Finally, the last chapter discusses the collabora
Publicado em: 2008
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9. O Ritmo musical da cena teatral: a dinâmica do espetáculo de teatro
The aim of the present research is the appreciation of the musical aspects which are concerned to theatrical practice, specifically the notions of "rhythm" and "dynamics" (as this one contributes to the formation of rhythm) and their pervading, often in a intuitive way, the putting-on-stage process. Initially gathering definitions of such concepts in the dis
Publicado em: 2008
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10. Young people participation in cultural groups and mobility in the urban space in São Paulo. / Participação de jovens em grupos culturais e mobilidade no espaço urbano de São Paulo
This is a qualitative research about the trajectories and about the urban sociability of some young people belonging to cultural groups in São Paulo, Brazil. The main goal of this study was to reveal the existing relation between cultural groups and the urban experience of suburban young people. For that purpose, it was necessary to know about their daily e
Publicado em: 2008
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11. Ilustrar, modificar, manipular: Arte como questão de segurança da vida
The relation between art and lifes sciences is old, but it began to be seen as life security problem recently. We defend that this transformation happened because of two different types of question: (1) The growing evidence of the security in the government of bodies and life and (2) the change in art from the function of mimesis (emphasising the illustratin
Publicado em: 2006
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12. Body and communication in process: The principle of tension in the experience of taanteatro / Corpo e comunicação em processo: o principio tensão na experiência Taanteatro
The principle purpose of this masters degree dissertation is the study of communication as a dynamic process in which all kinds of mediations are related to a principle of tension. This principle is based on the hypothesis that the body is the primary media of the communication process upon which all other medias are based, and to which they return. In this
Publicado em: 2006