Entre nós: articulações artísticas colaborativas

AUTOR(ES)
DATA DE PUBLICAÇÃO

2008

RESUMO

This master thesis deals with my current artistic practice that embraces collaborative and participative artistic processes that are connected to specific contexts. In this research, I discuss how procedures in my work are related to the universe of artistic procedures opened up since the 1960s that have sprung up with the questioning of the work of art as a consumer product, with the dissolution of traditional artistic categories and the contamination of artistic processes by situations, tensions e thematic concerns that derive form other areas in society. The first chapter is about participative artistic practices and some historic references, as well as a few examples of my earlier production that serve as a starting point for the analysis of the works presented in this thesis. The second chapter deals with the group of works realized throughout my artistic partnership with Bruna Mansani. I review participative action e tactics that try to produce an involvement in the situation to which they relate. Chapter three is about the project Espaço Contramão, a project run by artists and in which I took part from the beginning. Its main characteristics is its geographic mobility and the fact that it confers artistic direction to the participating hosts. Throughout the whole text, there are intersections with letters of mine in which I focus on my experience as a participant in projects by Laercio Redondo, Ricardo Basbaum and Rubens Mano. All these practices have as their common characteristics the fact that the creative process is shared with others, infused by situations that are marked by a temporary cooperation and that it plays with artistic possibilities that exist parallel to the official system of how to legitimize art

ASSUNTO(S)

práticas artísticas colaborativas parallel circuits artes contexto específico circuitos paralelos specific context colaborative artistic practices

ACESSO AO ARTIGO

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