Theatrical Performance
Mostrando 13-24 de 28 artigos, teses e dissertações.
-
13. Poéticas de um saber brincar: a vez e a voz do fandango
The present thesis aims to get to know and to analyze the elements which make up the poetical performance of the Fandango from Canguaretama confirming/corroborating an eminently theatrical model. It still highlights the producers history, its asset production and its insertion in community where we had contact with two other types of performances: the daily
Publicado em: 2009
-
14. Teatro legislativo: aspectos teatrais, políticos e jurídicos
The scientific inquiry presented has as central object the Legislative Theatre, of Augusto Boal. First of all, we try to register the experience carried through by Boal during his public mandate while councilman in the city of Rio de Janeiro in the year of 1993; by that time, the performances resulted on the approval of some municipal laws. From the accompli
Publicado em: 2009
-
15. Actor s poetic vocabulary / Vocabulario poetico do ator
The text presented here is the result of a research that investigated a possibility for the constitution of what we called Actor´s Poetic Vocabulary. Our work consisted in identifying, elaborating, applying and verifying a set of theoretical-practical activities directed towards the technical-creative development of the actor, from the perspective of the bo
Publicado em: 2009
-
16. Ópera da cidadania: entre fardos e performáticos o corpo em performance na Polícia Militar da Bahia
This dissertation encompasses a critical view of my performance in association with Bahia Military Police through their Theater Group, under the perspective of the policemans body visibility and its representation. Dealing with concepts related to scene, ritual, and daily life, I aim at analyzing policemens performance not only in the Ópera da Cidadania (Ci
Publicado em: 2009
-
17. Allan Kaprow, performance e colaboração : estrategias para abraçar a vida como potencia criativa / Allan Kaprow, performance and collaboration : strategies to embrace the life as a creative power
Allan Kaprow was an American artist who stood out in the foundation of contemporary art by the pioneering exploration of happenings as an artistic expression. This study examine his work from the standpoint of the inclusion of the another - the spectator, the viewer, the participant, the collaborator the development of his work, which determines the direc
Publicado em: 2009
-
18. A encenação em situação de ensino e apredizagem : uma contribuição pedagógica possível
This work is a descriptive research that explores the concept and the possible relationships of staging and its practice at a teaching and learning art in school, trying to analyze a possible contribution coming from this educational exercise. The data presented were collected from a group of students from first year of a school of dance of Londrina-PR, admi
Publicado em: 2009
-
19. Do romance ao teatro : a teatralidade como recurso para a representação na obra de Sérgio Sant Anna : (dissertação em 1 prólogo, 4 atos e 1 epílogo)
Reading the Brazilian contemporary narrative, we might think the ground we are on is more and more slippery. The authors seek to express the troubles in writing throughout texts characterized by less linearity in contrast with tradition and by the mode they ironically play with the narrative elements. A path to understand such production is to discuss, durin
Publicado em: 2008
-
20. Estratégias poéticas em tempos de Ditadura: a experiência do grupo experimental de dança de Salvador - BA
The consolidation of the theatrical dance in Salvador (1956-1962) is associated with the formation of three representative groups: the Contemporary Dance of the Dance School of the University of Bahia, the folkloric dance of the Folkloric group Viva Bahia and the Classical Ballet of the Ballet School of Castro Alves Theater. During the period of dictatorship
Publicado em: 2008
-
21. Drama e teatralidade: experiências com o professor no papel e o professor-personagem e suas possibilidades para o ensino do teatro na escola.
This research, on drama methodology in the Brazilian context, looks at two distinct experiences in order to investigate the role of the teacher to mediate the drama processes. The strategy teacher-in-role is the core of the investigation and here is approached through two different pedagogical procedures: in role stands for the situations where the teacher t
Publicado em: 2008
-
22. O teatro em Aparecida: a santa e o lobisomem
A seguir, pretende-se discutir a experiência de devotos em Aparecida a partir de um dos textos originários da antropologia da performance, "Points of Contact Between Anthropological and Theatrical Thought" ("Pontos de Contato entre o Pensamento Antropológico e Teatral"), de Richard Schechner. O "desvio" metodológico que se manifesta no texto de Schechner
Mana. Publicado em: 2006-04
-
23. A poética em que o verbo se faz carne: um estudo do teatro físico a partir da perspectiva coreológica do sistema Laban de movimento.
The subject of this study is Physical Theatre, a genre of theatrical performance that emerged in the beginning of the twentieth century as a result of a revolution perpetrated by the avantgarde aesthetic movements, which promoted a deconstruction of logocentrism, which is a process that re-evaluated the condition of the predominance of the word and re-establ
Publicado em: 2006
-
24. Acoustical evaluation by impulsive technique of eight rooms used for theatrical presentation in the city of Campinas, SP / Avaliação acustica de oito salas destinadas a apresentações teatrais da cidade de Campinas, SP, atraves da tecnica impulsiva
The architectural acoustics is an issue related to environmental comfort and, as such, of great importance for the quality of the space, concerning the satisfaction level of its user. Among the wide range of edification typologies, the theaters excel for their acoustic quality, since they are destined essentially for the transmission of spoken sound messages
Publicado em: 2006