Ópera da cidadania: entre fardos e performáticos o corpo em performance na Polícia Militar da Bahia

AUTOR(ES)
DATA DE PUBLICAÇÃO

2009

RESUMO

This dissertation encompasses a critical view of my performance in association with Bahia Military Police through their Theater Group, under the perspective of the policemans body visibility and its representation. Dealing with concepts related to scene, ritual, and daily life, I aim at analyzing policemens performance not only in the Ópera da Cidadania (Citizenship Opera show) but in their daily operational actions as well. Under the umbrella of Performance Studies, I underline the theoretical connection between body and performance, scene and daily life, reality and fiction; by utilizing the scene as a locus for discussion, confrontation and dynamization of issues regarding social representations, gender, sexuality, ethnicity, politics, and society. Such locus allows culture to be analyzed within a frame of possibilities which provide interrelation with the artistic and cultural phenomena of shared interpretation sets, thus making possible to identify co-constructions of differences and identity. Under the theoretical support of authors like Victor Turner, Richard Schechner, Judith Butler, Barbara Browning, Peggy Phelan, Michel Foucault, Ngugi Wa Thiongo and Homi K. Bhabha, I seek to analyze both the policemens staging in the social representation discourse and their theoretical, political and artistic quest. I furthermore try to link Performance Theory to the military policemans operational and artistic manner through identity narratives revealed by the scenes. I endeavor to reflect about the policemans body visibility privileged by the scene through a performative writing, so as to reveal the theatrical staging performed by military policemen as a socially articulated strategy for the strengthening of a military police for citizenship.

ASSUNTO(S)

theatre corpo teatro polícia militar body military police cidadania. performance teatro citizenship. performance

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