Theatrical Director
Mostrando 1-12 de 13 artigos, teses e dissertações.
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1. Relações comunicativas no processo de criação teatral: o diretor dramaturgo
A partir do monólogo, aqui chamado forma teatral elementar, estudar o processo de criação artística da direção teatral. A importância assumida pela figura do diretor teatral nas últimas décadas aponta para o surgimento de uma nova dramaturgia, a dramaturgia da encenação teatral. O diretor de teatro moderno assume papel de destaque no espetáculo c
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 20/06/2011
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2. Vakhtangov in search of the theatricalization / Vakhtangov em busca da teatralidade
Vakhtangov in search of the theatricalization takes as an object of study the ways of formation of scene and the proposals for the work of the actor in the last works developed by the Russian director, in the years of 1920-1922, and his contributions for the contemporary theater. During this period, there were analysed the proposals of re-creation of concept
Publicado em: 2008
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3. A trajetória de Gianni Ratto na indumentária / A trajetória de Gianni Ratto na indumentária
This research focus and analyses costume creation, from Italy to Brazil, of Gianni Ratto, director, set, light and costume designer, also author and a very important person in both Brazilian and Italian theater. The cataloguing, organization and the creation of photo archives of the images rescue part of the theater history. Together with the investigation o
Publicado em: 2008
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4. The theatrical production of São Paulo in the 1980s / A produção teatral paulistana dos anos 1980: rabiscando com faca o chão da história: tempo de contar os prejuízos em percursão de andança
This analysis focus on the theater made for adults in the city of São Paulo, Brazil, between the years of 1980 and 1990. Until now many researchers think that this was a lost decade in the theater realm, because they do not recognize the immense aesthetic value of the Brazilian drama in this period. Nevertheless, based on an extended documentation and state
Publicado em: 2008
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5. THE ART OF BEING CITIZEN: EXPERIENCES OF YOUNG PEOPLE IN SOCIAL PROJECTS FROM THE THEATER / A ARTE DE SER CIDADÃO: EXPERIÊNCIAS DE JOVENS EM PROJETOS SOCIAIS A PARTIR DO TEATRO
This study aims to investigate some ways of being by young people from the theatrical art, social projects, and its impact on the formation of the concept of citizenship. Particularly, the work will be supported in the analyses developed from observations of the assembly of the teatrical piece Urucubaca, formed by young members of the Group Theater Trupe of
Publicado em: 2008
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6. Do romance ao teatro : a teatralidade como recurso para a representação na obra de Sérgio Sant Anna : (dissertação em 1 prólogo, 4 atos e 1 epílogo)
Reading the Brazilian contemporary narrative, we might think the ground we are on is more and more slippery. The authors seek to express the troubles in writing throughout texts characterized by less linearity in contrast with tradition and by the mode they ironically play with the narrative elements. A path to understand such production is to discuss, durin
Publicado em: 2008
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7. Dos princípios do ator : a análise da ação física através da tríade percepção-imaginação-adaptação, a partir dos pressupostos de Konstantin Stanislávski / The construction of the phisical actions throug the perception-imagination-adaptation triad, according to Konstantin Stanislavski
The essay presented here investigates the construction of the Physical Actions according to Russian actor, director and educationalist Konstantin Stanislavski, through the perception-imagination-adaptation triad, considering that these three properties of the human being are of fundamental importance for the actor s work. The research aims to create a compil
Publicado em: 2008
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8. O cinema teatral de Eisenstein: década de 1920
This study investigates the apparent dichotomy between cinema and theater, their relations and oppositions, as well as the reflexes of the theatrical experiences of Sergei M. Eisenstein in his films. Eisensteins theoretical essays written on 1920s where the director discuss subjects refering to theater and cinema, as well as his films and theatrical producti
Publicado em: 2007
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9. Sete afluentes para Robert Lepage / Seven streams to Robert Lepage
This dissertation discusses the work of the Canadian director Robert Lepage. It proposes to reflect on his method of bringing specific elements to theater or cinema, creating, through the dialectics between them, a singular and hybrid poetics. A director herself, the dissertation.s author uses as a foundation her own creative process (in the play Ofélia em
Publicado em: 2007
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10. O método de análise ativa de K. Stanislávski como base para a leitura do texto e da criação do espetáculo pelo diretor e ator / The active analysis methods by K. Stanislavski as base to read the text and the creation of the spectacle by director and actor
A orientação deste estudo se dá na perspectiva de investigar, definir e especificar dentro do "sistema" de K. Stanislávski o método de análise ativa e o das ações físicas juntamente com os seus elementos constitutivos a partir das suas fontes primárias, teóricas e práticas, e do seu desenvolvimento por renomados diretores russos, que escreveram e
Publicado em: 2007
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11. O tablado - mais de meio seculo de teatro e educação : historia-memoria : a chave para a perenidade do mais duradouro grupo teatral do Brasil
The subject being studied in this work is the Tablado (Stage), the theatrical group (founded in Rio de Janeiro in 1951 by playwright and director Maria Clara Machado) which, being at the same time a school for the theater, is the oldest one of its kind in Brazil. The history of the Tablado - which for decades has been a reference point in the Rio de Janeiro
Publicado em: 2004
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12. O campo de visão : exercicio e linguagem cenica
Believing that Improvisation is the great expedient for the actor to expand and find a place where he can simultaneously engender and gush his creativity, this dissertation aims at the systemization of a theater improvisation exercise called "Campo de Visão". This systemization was created throughout the rehearsals of "A hora em que não sabíamos nada uns
Publicado em: 2003