Dos princípios do ator : a análise da ação física através da tríade percepção-imaginação-adaptação, a partir dos pressupostos de Konstantin Stanislávski / The construction of the phisical actions throug the perception-imagination-adaptation triad, according to Konstantin Stanislavski

AUTOR(ES)
DATA DE PUBLICAÇÃO

2008

RESUMO

The essay presented here investigates the construction of the Physical Actions according to Russian actor, director and educationalist Konstantin Stanislavski, through the perception-imagination-adaptation triad, considering that these three properties of the human being are of fundamental importance for the actor s work. The research aims to create a compilation of Stanislavski s life and work, and how he arrived at his theory of the Physical Actions, always looking for true and organic acting, having as a goal the emotion of the actor. Therefore, part of this study is a profound investigation of the laws of man in action - applied by Stanislavski and, here, correlated to each of the three properties; as well as the last great contribution of the Russian scholar to the theatrical arts: the active analysis, which encompasses the laws, the physical action and the other elements of his System. The Russian master, at the end of his studies, leaves as his legacy, the distinct idea that the physical action is only the path to creation, which gives the actor the possibility of penetrating his or her own subconscious and being moved. To Stanislavski, it is through a series of actions performed by the actor that the public can see emotion run through the scene

ASSUNTO(S)

imagination atores imaginação ação física adaptação adaptation stanislávski percepção active analysis leis do homem em ação laws of the man in action análise ativa representação teatral teatro physical action perception stanislavsky

ACESSO AO ARTIGO

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