Poetic Cinema
Mostrando 1-12 de 18 artigos, teses e dissertações.
-
1. ¿Puede el cine darnos qué pensar? Wong Kar-Wai y la poética del des-encuentro
Abstract: Is it possible for the cinema to philosophize? Can the moving image work as a means for philosophy to operate under a different expressive language? This article discusses the ability of certain cinemas (especially modern cinema) to do philosophy on the big screen. It describes the theoretical approaches that argue for a philosophical cinema capabl
Trans/Form/Ação. Publicado em: 07/10/2019
-
2. Alegoría y símbolo en el cine barroco y moderno. Estrategias retóricas, amplificación de sentido
Abstract Rhetorical strategies, amplification of meaning The scope of this paper is to show how allegory and symbol, in the framework of the baroque and modern cinema, are not ornamental mechanisms, but a form of semantic invention capable of questioning the grammaticalization of the cinematographic language. We don’t intend to make a historiographic analy
Galáxia (São Paulo). Publicado em: 2017-12
-
3. A poética e a política no cinema de Glauber Rocha e Sembene Ousmane / The poetic and the politic from Glauber Rocha and Sembene Ousmane
Discutimos os projetos cinematográficos e políticos de Glauber Rocha e Sembene Ousmane à luz do diálogo em imagens. Assim, centramos nossa análise em dois filmes: Der Leone have sept cabeças (1969-70), de Glauber, e Ceddo (1976), de Sembene. À maneira dos historiadores, estes cineastas recorreram ao passado para problematizar o presente. Em Ceddo, Sem
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 18/05/2012
-
4. Between logics and cunnings: The poetic of the revenge in a certain Abril Despedaçado / Entre Lógicas e Astúcias: a poética da vingança num certo Abril Despedaçado
About the tension between the institutions and their "users", about strategic calls and tactical deviations, about logics and cunnings, its that the present work seeks be structured. Having as reference Michel de Certeaus conceptions, this dissertation takes Abril Despedaçado film as a investigation field, trying to think about revenge practices and their e
Publicado em: 2010
-
5. Two dogs as an object: surrealistic elements in João Cabral de Melo Neto. Approaches to the cinema / Dois cães como objeto: elementos surrealistas em João Cabral de Melo Neto. Aproximações com o cinema
This dissertation examines the presence of surrealistic elements in the poetic work of the poet João Cabral de Melo Neto (1920 1999), from his literary debut with Pedra do sono, in 1942, until O cão sem plumas (1950). This work, written by the poet during his long sojourn abroad, it will be the main object of this study, the corpus where well describe the
Publicado em: 2010
-
6. O cinema trágico-poético de Pier Paolo Pasolini: Appunti per unOrestiade africana, Édipo Rei, Medeia / The cinema tragic-poetic of Pier Paolo Pasolini: Appunti per unOrestiade africana, Oedipus Rex, Medeia
The objects of the present work are texts about Man: the tragic-poetic cinema of Pier Paolo Pasolini and the classical Greek tragedies. That cinema author dedicated much attention to tragic texts, in which he saw a political foundation: the overcoming, by reason, of mans archaic past, which caused his existential uncertainty. After having translated Aeschylu
Publicado em: 2009
-
7. The image and the word in Handke and Wenders / A imagem e a palavra em Handke e Wenders
This dissertation is resultant of an interdisciplinary research on co-occurrence of image (non verbal code) and word (verbal code) in German literature and cinema, considered through the analysis of two specific German speaking authors: a writer and a filmmaker. Initially I discuss some theories that may shed some light on the word-image question. Then I ver
Publicado em: 2009
-
8. Trilogia Qatsi : visões e movimentos de mundo / Qatsi trilogy : visions and movements of world
This work is a filmic analysis of the Qatsi trilogy (Koyaanisqatsi, Powaqqatsi, Naqoyqatsi), directed by Godfrey Reggio. Firstly, it is presented a bio-filmography of the director, indicating his trajectory and some comments on each of his films. Then, the analysis of the trilogy takes place, beginning with Koyaanisqatsi and focusing the acceleration movemen
Publicado em: 2009
-
9. "A Journal for Manoel de Coco" a documentary experimentation inspired in Mário de Andrade / Um diário para Manoel de Coco- uma experimentação documentária inspirada em Mário de Andrade
Based on Mario de Andrades creation of the text "O Turista Aprendiz", whish is at the same time poetic and referential, our approach to the travel journal sees it as a hybrid genre, one which explores the boundaries between the real and the fictional, and we propose to experiment a documentary production that takes into account possibilities to intervene cre
Publicado em: 2008
-
10. Da pornografia: os diários de Bruna, Marise e Gabriela: as prostitutas letradas
This dissertation establishes some reading, in the field of social sciences, which has pornography and prostitution as subject - having as main reference the diaries of the prostitutes Bruna Sufistinha, Marise and Gabriela. We have accessed some other literary works through Marquee de Sade, Henry Miller, Georges Bataille and Michel Houellebecq, in order to u
Publicado em: 2008
-
11. O Ritmo musical da cena teatral: a dinâmica do espetáculo de teatro
The aim of the present research is the appreciation of the musical aspects which are concerned to theatrical practice, specifically the notions of "rhythm" and "dynamics" (as this one contributes to the formation of rhythm) and their pervading, often in a intuitive way, the putting-on-stage process. Initially gathering definitions of such concepts in the dis
Publicado em: 2008
-
12. Poética do pop: a música como recurso narrativo no cinema contemporâneo. / Pop poetic: music as a narrative device in contemporary cinema.
This dissertation hereby aims at discussing about pop music functions in the filmic narrative. After all, pop music operates a variety of roles in the cinema universe both as building a film meaning and addressing it to a specific audience which uses music as a cultural device, and as a fundamental element to the own filmic narrative, performing some action,
Publicado em: 2007