Musical Field
Mostrando 13-24 de 85 artigos, teses e dissertações.
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13. Um estudo etnomusicológico do congado de Nossa Senhora do Rosário do Distrito do Rio das Mortes, São João del-Rey, MG
The sonority produced in the devotion feasts to Our Lady of the Nossa Senhora do Rosario are composed of music and faith, performed by the members of one same community of brothers who sing and play, recreating and re-elaborating their myths since times of captivity. This research sought to investigate the sound-musical aspects produced by the so called Cong
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 14/10/2011
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14. Coeficiente de espalhamento sonoro de painéis perfurados / Scattering sound coefficient of perforated panels
Project studios, concert halls, theaters or places that require quality acoustics for musical activities, require studies on its volume, shape and composition of their surfaces, in order to achieve a place that fulfills its function acoustics. In cases where the volume and shape of these rooms are already defined, it is the acoustic designer to define materi
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 10/08/2011
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15. A viagem como um princÃpio na formaÃÃo do habitus dos mÃsicos que na dÃcada de 1970 ficaram conhecidos como Pessoal do CearÃ
The thesis presents the travel as a principle in the formation of the habitus of musicians. The research has focused on the trajectory of three musicians from different routes, from the same generation of intellectuals and artists who became known as Pessoal do Ceara, namely: ManassÃs LourenÃo de Sousa, Raimundo Fagner CÃndido Lopes and Franco Rodger Rog�
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 01/03/2011
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16. A formação do gosto musical na crítica jornalística de Herbert Caro no Correio do Povo (1968-1980) : da torre de marfim ao rés do chão
This dissertation intends to analyze how the critic Hebert Caro (1906-1991) entices the liking of classical music, considering that journalism has the mediation function of approximating readers to specialized fields and that the criticism is a fertile expression in this sense. German Jew rooted in Brazil in 1935, Caro was an active figure in Porto Alegre¿s
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2011
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17. As crenças de autoeficácia dos professores de música
The current work aimed to investigate the music teachers¿ self-efficacy belief to teach in school related to demographic variables and context. The theoretical framework is based on social cognitive perspective, specifically on Bandura s self-efficacy theory. The survey has shown to be the most appropriate method to conduct this research. A self-administere
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2011
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18. O violÃo clube do CearÃ: hÃbitus e formaÃÃo musical / The guitar club CearÃ: habitus and musical training
In the period 1945 to 1962 arose in Fortaleza a group of guitarists, the VIOLÃO CLUBE DO CEARÃ (Ceara Guitar Club), with the sole purpose of playing music on guitar. This thesis aims to understand the processes that enabled the emergence of this institution in the music scene, anchored in an approach based on the concepts of habitus, field and capital of P
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 10/12/2010
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19. O som, seus parâmetros, e a música: o ensino dos elementos musicais
This is a theoretical and field research work, with the purpose of producing pedagogical guidelines for the teaching of music. Its purpose is to propose an alternative for teaching of musical elements (melody, rhythm, harmony and timbre, among others) by its observation as a physical phenomenon; study the origin of these elements by means of sound parameters
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 05/08/2010
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20. Sight-singing : a way for the construction of audiation for the professional musician / Leitura cantada : um caminho para construção da audiação no músico profissional
This research is an exploratory study of qualitative nature, and aims to examine the relevance of sight-singing and audiation in the life of a professional musician. Initially, two possible views are presented for the study of sight-singing: historical and psychological. The former comprises a summarized historical review of the systematization of traditiona
Publicado em: 2010
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21. Paralelos entre ação teatral e direcionalidade musical
This dissertation aims to investigate the historical parallel of theater and music in the period of constitution to the breakdown of drama and the tonal system. The central point of discussion is the analogy between the concepts of theatrical action and musical directionality, understood as the unfolding of a material initially selected as a basis for artist
Publicado em: 2010
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22. O samba-enredo em Florianópolis: perspectivas históricas e a produção de sambas-enredo entre membros da Protegidos da Princesa
Several decades ago the musical genre samba-enredo became popular and was spread through most of the Brazilian territory. The purpose of this dissertation is to reveal the way by which the samba-enredo is transposed to the reality of the world of the samba in Florianópolis, identifying particular procedures involved in its production and analyzing the histo
Publicado em: 2010
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23. Caracterização da indústria de instrumentos musicais no estado de São Paulo: aspectos sócio/econômicos, de manufatura e de inovação
This study aimed to characterize aspects of manufacturing, innovation and socio/economic data from the Musical Instruments Industry (MII) in the state of São Paulo in the period 2003- 2008. The study was justified because the so called "entertainment industry", especially the "music industry" has brought substantive economic and social gains. It was aimed t
Publicado em: 2010
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24. Notes on an infinite: music and psychoanalysis / Notas sobre um infinito: música e psicanálise
The goal of this study is to provoke thoughts about music, in light of psychoanalytic concepts. From their own experience on music s field (whether as composer, performer, or listener) and, under the motto art allows the individual person to express the contents that daily language does not reach, it discusses various conscious and unconscious elements that
Publicado em: 2010