Music Perception
Mostrando 13-24 de 55 artigos, teses e dissertações.
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13. Entre a paranóia da imaginação e a percepção alucinatória : hip-hop e postura de oposição na sociedade do fim da história / Between the paranoia of imagination and the hallucinatory perception : hip-hop and opposition posture at the end-of-history society
Com o desmoronamento do socialismo real no final do século XX - cujos principais marcos foram a queda do Muro de Berlim e a débâcle soviética -, o mundo parece ter tomado novos rumos. Neste período, Francis Fukuyama e Robert Kurz desafiaram a esquerda mundial em seus livros O fim da história e o último homem e O colapso da Modernização, respectivame
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 29/06/2011
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14. Pensando o ensino de teoria musical e solfejo: a percepÃÃo sonora e suas implicaÃÃes polÃticas e pedagÃgicas / Perception of music as theme and as an academic discipline
Minha dissertaÃÃo procura elaborar, avaliar e relacionar pesquisas no campo da percepÃÃo musical enquanto tema e enquanto disciplina acadÃmica na perspectiva de atentar para uma metodologia de ensino que seja atualizada e prÃxima do nosso contexto brasileiro. Relata os processos pessoais que me despertaram a transformar minhas experiÃncias perceptivo-
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 29/04/2011
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15. O som, seus parâmetros, e a música: o ensino dos elementos musicais
This is a theoretical and field research work, with the purpose of producing pedagogical guidelines for the teaching of music. Its purpose is to propose an alternative for teaching of musical elements (melody, rhythm, harmony and timbre, among others) by its observation as a physical phenomenon; study the origin of these elements by means of sound parameters
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 05/08/2010
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16. Tecnologias da informação e comunicação na formação inicial do professor de música: um estudo sobre o uso de recursos tecnológicos por estudantes de licenciatura em música no estado de Santa Catarina
In this study, we had the intention of understanding how students of the last year of three undergraduate music courses in the State of Santa Catarina (Brazil) link with the Information and Communication Technologies (ICT), under the light of the legal and curricular basis for the teachers preparation in Bachelor of Music Education undergraduate courses. Thi
Publicado em: 2010
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17. Free, pure and happy: youth cultures and raves in Fortaleza / Livres, Puros e Felizes: Culturas Juvenis e Festas Rave em Fortaleza
This research discusses the relationship between music, youth culture and party in the urban space. Its part of the perception of youth as a socially constructed category, in addition to age and identity principles generally attributed to this stage of the life cycle of the individual. It aims to understand social practices, attitudes, consumption pr
Publicado em: 2010
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18. Mixagem de áudio multicanal no formato surround 5.1 e sua transcrição para sistemas binaurais
This work has as a main subject the mixing process in surround 5.1 and binaural formats. The binaural format preparation has as start point the six channels mixed in a 5.1 surround system. The first part of this work will be devoted to a theoretical review in the field of spatial audio, starting with the human perception of spatial sounds in both physical an
Publicado em: 2010
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19. Como se fora brincadeira de roda: a ciranda da ludopoiese para uma educação musical humanescente
The present work concerns an auto-ethnographic study based on life experiences and reflections of an educator at Escola Viva Preschool and Elementary-Middle School, located in the city center of Natal, Rio Grande do Norte. As a cognitive model of operation, we use the metaphor of the Circle Dance. The objective of this study is to identify, interpret and des
Publicado em: 2010
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20. Sight-singing : a way for the construction of audiation for the professional musician / Leitura cantada : um caminho para construção da audiação no músico profissional
This research is an exploratory study of qualitative nature, and aims to examine the relevance of sight-singing and audiation in the life of a professional musician. Initially, two possible views are presented for the study of sight-singing: historical and psychological. The former comprises a summarized historical review of the systematization of traditiona
Publicado em: 2010
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21. Dança e música : por uma educação humanizadora em prática musical coletiva
This Masters Dissertation introduces a dialogue between music and dance languages in a collective music practice context, more specifically in a community orchestra. With this purpose, the researcher, dancer and dance educator shares her own experiences in the field of Music Education and discusses the interaction developed with some members of the Experimen
Publicado em: 2009
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22. Percepção subjetiva de tempo durante a apreciação de música erudita ocidental: uma análise multidimensional / Subjective time perception during the appreciation of western erudite music: a multidimensional scaling
Music has been used in the research of subjective time perception because of its characteristics of temporal structure, as the rhythm, the tempo, the musical accents and others. The combination of these elements during musical listening task excite the activation of attention and memory processes involved in processing of the temporal perception. Due to the
Publicado em: 2009
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23. Kant e a musica na Critica da Faculdade do Juizo / Kant and the music in the Critique of Judgement
The aim of this dissertation is to examine Immanuel Kant s treatment of music in his Critique of Judgment. Beneath his apparent neglect for the subject one can find a dense philosophical reflection that decisively contributes to the always current discussion about music perception, understanding and categorization. The possibility of recognizing music as bei
Publicado em: 2009
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24. SimulaÃÃo, arte e mÃdia nos videoclipes de animaÃÃo em 3D
Art and technique have always maintained very close ties, as advances in technology provided new means of expression at the same time as the demands of artists for new resources boosted the technological progress. The development of new tools of production based on digital imagery not only transformed the technical field, but also influenced artistic creatio
Publicado em: 2009