Music And Church
Mostrando 1-12 de 18 artigos, teses e dissertações.
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1. O maestro e sua atuação artística na igreja evangélica Assembléia de Deus sede do ministério do Belém: São Paulo - SP (1960/2010)
The main reason of this work is to show historical dates of the Whituntides of Brazil and the evangelical church "Assembléia de Deus" with the headquarter "Ministério do Belém" and his education proceedings relating to music and arts. The "Ministério do Belém", one of the majors and eldest headquarters of "Assembléias de Deus", is a Brazilian instituti
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 21/02/2011
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2. Igreja e escola na perspectiva das práticas musicais em colégios históricos americanos de confissão protestante (São Paulo: 1870-1920) / The Church and School in the perspective of musical practices in historical American schools professing the protestant faith (São Paulo: 1870 1920).
A pesquisa teve como objetivo estudar as escolas americanas de confissão protestante na província e depois estado se São Paulo, na perspectiva de conhecer como se deu a presença da música nestas escolas. O período que está sendo enfocado nesta pesquisa é de 1870 a 1920. A educação musical no período é um campo particularmente fértil, por não te
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 08/06/2009
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3. Missa e Do menor de Henrique Oswald para coro, orgão e orquestra de cordas : um estudo analitico e interpretativo a partir dos parametros da musica sacra de Romantismo / Mass in C minor by Henrique Oswald for chorus, string orchestra and organ : analytical and interpretive study based on Parameters for Scred Music of the Romantic Period
Tendo em vista a preparação de um regente que se disponha a executar a Missa em Dó menor de Henrique Oswald, este trabalho sugere um processo para auxiliá-lo desde o primeiro contato com a partitura até a sua apresentação pública. O trabalho, que tem como foco central a Missa em Dó menor, é composto por quatro capítulos e um anexo. Nele abordam-se
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 11/02/2009
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4. A música sacra em duas igrejas evangélicas do DF : estudo analítico sobre a retratação da música cristã tradicional ante o avanço da música cristã contemporânea
This work provides a brief evolution of music in the Christian church highlighting its characteristic trends since the Protestant Reform of the 16th century. Emphasizes the educational role of music in church as a means to teach and spread the doctrine of the apostles with psalms and hymns containing the truths of the Christian faith; lyrics and music become
Publicado em: 2009
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5. Theology of liberation in sandinist Nicaragua / Teologia da libertação na Nicarágua sandinista
The present study has the objective to analyse the production of political and cultural imaginariness oriented by the Theology of Liberation during the sandinist government in Nicaragua (1979-1990) trying to demonstrate the mixture of religion and revolution. Our intention is to investigate how were constituted the imaginariness expressed on political and re
Publicado em: 2009
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6. Administrando a festa: música e iluminismo no Brasil colonial / Administrando a festa: música e iluminismo no Brasil colonial
The thesis is based on the idea of innate idiosyncrasy of Illuminism and its relation to the changes in the meaning of music, not only in relation to the language structures, but also in the processes of its reception in the 18th century. In Brazil, the process was increased as the intense social movement concealed a complex field of conflict which did not u
Publicado em: 2008
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7. Do Iluminismo ao Cecilianismo: a música mineira para a missa nos séculos XVIII e XIX
The rite of Mass shows the liturgical uniformity developed by the Roman Catholic Church in the course of several centuries. Due to the great dissemination of Catholicism, the Mass ordinary was the most used text in the entire history of music, but the desired uniformity in the liturgical level was never reached in its musical counterpart, even though the Chu
Publicado em: 2008
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8. Ensaio pra quê? : reflexões iniciais sobre a partilha de saberes : o grupo de louvor e adoração como agente e espaço formador teológico-musical
The Grupo de Louvor e Adoração (Praise and Adoration Group) as a musicaltheological educational space and instrument in congregations of the Igreja Evangélica de Confissão Luterana no Brasil (IECLB) (Evangelical Church of Lutheran Confession in Brazil). The research begins by outlining an historical profile of the introduction of the model of Praise and
Publicado em: 2008
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9. The music in São Paulo city, 1765-1822 / A música na cidade de São Paulo, 1765-1822
This work investigates the musical activities of São Paulo city from 1765 to 1822 and verifies how the music circulation in the sacred as well as profane circles and its following process of democratization of spaces contributed for the growth of the socialization practices of the colonial society. The relationship between the producer - the composer or mus
Publicado em: 2008
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10. A força midiática da Igreja Internacional da Graça de Deus
This work deals with the media power of a religious group that, in the past few years, has taken an important place in the Brazilian social mechanics. Born inside Pentecostal churches, more specifically in the 1980s, the so-called Igreja Internacional da Graça de Deus (in a free translation - International Church of Gods Grace) cannot be separated from its
Publicado em: 2008
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11. A música sacra de Leo Schneider : uma voz no deserto
This dissertation proposes an analysis of the sacred musical work by Porto Alegre composer Léo Schneider (1910-1978) based on a selection of his major sacred compositions. It emphasizes the uniqueness of Schneiders esthetic project and its possibilities as a tool for religious education. The first part of the research introduces Leo Schneiders personal hist
Publicado em: 2008
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12. Missa ferial de Osvaldo Lacerda - uma análise interpretativa / Missa ferial de Osvaldo Lacerda - uma análise interpretativa
The musical analysis of the Missa Ferial Osvaldo Lacerda is the objective of this study. This mass was written between the months of February and March of 1966 and was intended for a mixed chorus(SATB) which was to be sung, a capella, on the common days of the liturgical calendar of the Roman Catholic Church. The Missa Ferial was composed at the time when th
Publicado em: 2007