Missa ferial de Osvaldo Lacerda - uma análise interpretativa / Missa ferial de Osvaldo Lacerda - uma análise interpretativa

AUTOR(ES)
DATA DE PUBLICAÇÃO

2007

RESUMO

The musical analysis of the Missa Ferial Osvaldo Lacerda is the objective of this study. This mass was written between the months of February and March of 1966 and was intended for a mixed chorus(SATB) which was to be sung, a capella, on the common days of the liturgical calendar of the Roman Catholic Church. The Missa Ferial was composed at the time when the composer was an acting member of the National Commission of Sacred Music. It is the first of his four masses that represent the union of Brazilian cultural elements with sacred Catholic music, in accordance with the resolutions of the Vatican Council II. The first chapter of this dissertation analyzes the frequent aspects of the mass in relation to: the melody, the counterpoint between voices, and the harmonic element in each of the parts that makes up the overall structure of the mass. The second chapter deals with aspects dealing with timbre as well as the graduation of sonorous intensity throughout the piece. The third chapter of this study analyzes the aspect of rhythm and the application of these rhythms within the compositions construction in its whole. By means of an analytical dissection of the Missa Ferial, the fourth chapter presents interpretative annotations for the possibility of a performance of this work. The analysis of each of these elements that are embodied within the structure of this composition, was made possible by the application of the guidelines developed by Marco Antonio da Silva Ramos through the utilization of his documented study on musical analysis, as well as the study of the documentation referring to sacred music according to the Vatican Council II, and principally the documents from the National Commission of Sacred Music. It must be mentioned as well, in reference to the study of the composition, an interview made with the composer himself(of which can be encountered in the appendix of this study). In order to better understand the rhythmic constancies of Brazilian music, a collection of data was taken and analyzed from the research of Villa-Lobos. This study may hopefully provide groundwork for new interpretive perspectives.

ASSUNTO(S)

brazilian music canto coral satbmúsica brasileira mass ferial análise interpretativa missa ferial interpretation analysis osvaldo lacerda osvaldo lacerda choral sing satb

ACESSO AO ARTIGO

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