Cinematographic Space
Mostrando 1-12 de 12 artigos, teses e dissertações.
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1. “Fitas em chammas”: cinema, imprensa e sensacionalismo na Belle Époque carioca
RESUMO Este artigo analisa a cobertura jornalística sobre incêndios em cinemas na virada para o século XX, quando emergiram alguns traços estruturantes da sociedade carioca no tocante ao consumo cinematográfico e ao papel da imprensa no Rio de Janeiro. A questão principal é: de que modo o sensacionalismo operou como chave de leitura desses incêndios?
Rev. Bras. Hist.. Publicado em: 14/03/2019
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2. Dois ou um : um ensaio cinematográfico sobre as conexões recíprocas do entorno da lagoa do Macacu em Garopaba, Santa Cantarina / Two or one : a cinematographic essay on the reciprocal connections around Macacu s lagoon in Garopaba, Santa Cantarina
Two or One (documentary and dissertation) proposes a reflection on the plural nature of human perception inspired by Gregory Bateson´s epistemology and through the contact of the author with Macacu´s lagoon, in Garopaba, Santa Catarina. Emphasizing on feminility, as one way of approaching the multiples versions of the world, the research moves from talks w
Publicado em: 2010
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3. A magia do cinema na praça:apropriação do espaço e sociabilidade em Salvador-BA
Its in the city spaces, molded from the uses and daily appropriations, that life is woven, as a product of the social relationships from the accumulation of history along with the present day fabric. Within this relationship, the old and the new are elements which make up this tapestry, as a result of the contribution of successive generations. The public sq
Publicado em: 2009
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4. Errância e construção do espaço no cinema moderno Uma leitura da obra de Roberto Rossellini
This dissertation examines the construction of the cinematographic space in the work of Roberto Rossellini and the role of the wandering of the characters in the communication system of films. With basis on the considerations of Gilles Deleuze in Cinema I Movement-Image and Cinema II The Time-Image, we shall analyse the manner by which the perambulation and
Publicado em: 2007
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5. Cotidiano e guerra nos cinemas de Belém (1939-1945)
The dissertation discuss the cinema in Belém during the World War Second, involving the daily of the projection rooms, the influence of the hollywood movies, the passage of artists on town, the cinematographic production in Amazônia with Libero Luxardo, the transmission of informations about theconflict down the newspaper cinema and lenght movies, the adve
Publicado em: 2007
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6. Sete afluentes para Robert Lepage / Seven streams to Robert Lepage
This dissertation discusses the work of the Canadian director Robert Lepage. It proposes to reflect on his method of bringing specific elements to theater or cinema, creating, through the dialectics between them, a singular and hybrid poetics. A director herself, the dissertation.s author uses as a foundation her own creative process (in the play Ofélia em
Publicado em: 2007
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7. Mrs. Dalloway and the rewriting of Virginia Woolf in literature and cinema. / Mrs. Dalloway e a reescritura de Virginia Woolf na literatura e no cinema.
This dissertation investigates the rewriting of Virginia Woolfs literary universe to literature and to film, through the analysis of the rewritings of the novel Mrs. Dalloway (1925): the film Mrs. Dalloway (1998), directed by Marleen Gorris, the novel The Hours (1998), by Michael Cunningham, and the film The Hours (2002), directed by Stephen Daldry. Our hypo
Publicado em: 2007
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8. Cinema e poesia: uma relação intersemiótica em Akira Kurosawa
This work proposes a reflexion about the intersemiotic translation between cinema and the poetic language as from an analysis of the film Dreams (Japan, 1990), by the Japanese director Akira Kurosawa under an esthetic and semiotic perspective. Such approach takes, as its basic assumption, the reflection of the presence of poetic elements in the construction
Publicado em: 2006
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9. Narradores da cidade: táticas estéticas de renovação da linguagem cinematográfica documental
Esta pesquisa analisa cinco filmes documentários brasileiros, produzidos entre 1999 e 2003, cujo tema é o espaço urbano: Notícias de uma Guerra Particular, O Rap do Pequeno Príncipe contra as Almas Sebosas, Ônibus 174, Edifício Máster, À Margem da Imagem. Aborda as definições de uma forma não-ficcional para o cinema documentário e defende a hip�
Publicado em: 2006
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10. ESPAÇO HÍBRIDO: NOVAS NARRATIVAS NO CINEMA CONTEMPORÂNEO BRASILEIRO / HYBRID SPACE: NEW NARRATIVES IN CONTEMPORARY BRAZILIAN CINEMA
A tese Espaço híbrido: novas narrativas no cinema brasileiro contemporâneo identifica uma construção discursiva que rejeita o espaço cinematográfico como uma unidade a partir de seus processos de autoria, lugar, linguagem e narrativa. Defende-se que a opção por uma indeterminação promove a construção de um espaço híbrido no qual a fronteira en
Publicado em: 2005
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11. A BARBÁRIE COMO ARTE: TENDÊNCIAS DA LITERATURA E DO CINEMA BRASILEIRO CONTEMPORÂNEO / THE BARBARITY AS ART: TRENDS OF LITERATURE AND CONTEMPORARY BRAZILIAN MOVIES
The intention of this dissertation is to reflect concerning the existing relations between literature and movies in which it touches the representation of the phenomenon of the violence in the literary compositions and its respective cinematographic versions. For this, three books had been used that present the violence focused for diverse prisms. They are:
Publicado em: 2005
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12. O horizonte de sagrado na obra do cineasta russo Andrey Tarkovsky : o caso Andrey Rublev / The sacred horizon in the work of the russian film-maker Andrey Tarkovsky: the movie Andrey Rublev
In this text, I aim try to identify the creative impulse of Russian film-maker Andrey Tarkovsky by means of the interpretativa key that I call horizon of sacred. The objective of this is to understand what are and which are the repercussions of the sacred, or either, the expression of the metaphysic feeling, as horizont of the creative and theorical practica
Publicado em: 2005