O horizonte de sagrado na obra do cineasta russo Andrey Tarkovsky : o caso Andrey Rublev / The sacred horizon in the work of the russian film-maker Andrey Tarkovsky: the movie Andrey Rublev
AUTOR(ES)
Francisco das Chagas Fernandes Santiago Junior
DATA DE PUBLICAÇÃO
2005
RESUMO
In this text, I aim try to identify the creative impulse of Russian film-maker Andrey Tarkovsky by means of the interpretativa key that I call horizon of sacred. The objective of this is to understand what are and which are the repercussions of the sacred, or either, the expression of the metaphysic feeling, as horizont of the creative and theorical practical of director. In the attempt to express transcendence by means of the movie image, the producer caused changes in the form of configuring the cinematographic narrative. To understand this dynamic, I carry through a socio-historical reading of the construction of the theoretical conceptions in the films of Andrey Tarkovsky. I tried to reconstitute experience space that allowed the film-maker to develop his ideas and his films, as well as demonstrate the presence of the sacred one in the director?s movie craft analising of two sequences of the film Andrey Rublev
ASSUNTO(S)
o sagrado moving-pictures cinema - estetica
