Theatrical Dance
Mostrando 1-12 de 14 artigos, teses e dissertações.
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1. A dança dos orixás de Augusto Omolu e suas confluências com a antropologia teatral
The focus on this work is based on the Orixás Dance developed by Augusto Omolu in a transcultural perspective that combines the principles of formation that belongs to Eugenio Barbas Theatrical Anthropology and utilized by actors and dancers. Here, I present the results of this Field research that occurred on Salvador (Bahias State Capital) on the first sem
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 28/02/2011
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2. Queria bordar teu nome: a dança no teatro de revista
This essay seeks to explore dance within Rio de Janeiros Revue entertainment theater, in order to analyze the influences of imagination of modernity in ballet dances, as well as to identify some genres and dance techniques incorporated into the production of the Revue scene, taking into consideration the body of dance, especially the chorus-dance girls (the
Publicado em: 2010
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3. A dança na Corte e os balés nas Óperas de Portugal no Século XVIII : aspectos da presença de elementos franceses no ambiente cultural português / Dance at the Court and Ballets at the Opera in Eightheen century Portugal : French elements in the Portuguese Cultural Ambience
The French model for the arts was spread all over Europe during the Eighteen century, due to the political power that Louis the XIV exerted. This influence has touched the education of the nobility as much as the spectacles noblemen attended. In the former, relating to the dance, it happened through the publication and translation of treatises used to train
Publicado em: 2010
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4. Na Mata tem esperança : encontros com o corpo sambador no cavalo marinho / Na Mata tem esperança : meetings with cavalo maribho dancers body
In this dissertation, the experiences generated from encounters with the cavalo marinho play - a popular Brazilian folk tradition of the Northern Mata Zone of Pernambuco State - are approached both critically and reflexively. The aim of this research was the appropriation of elements of this game to be used in professional training procedures of actor-dancer
Publicado em: 2010
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5. Walker, there is no path. Only traces / Caminhante, não ha caminho. Só rastros
O presente projeto se desdobrou entre o território da prática e o da escrita. Duas linhas de investigação paralelas e complementares, possíveis no trabalho do ator. Após dezessete anos de pesquisa coletiva no Lume como atriz pesquisadora, tornou-se urgente vivenciar um novo desafio, colocar-me novamente em situação de risco, experimentar um processo
Publicado em: 2010
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6. Sobre capoeira e dança cênica : tramas e mestiçagens culturais. / About capoeira and dance theatrical: interrelations and cultural hybridism (Bahia, Brazil).
Esta dissertação discute o hibridismo entre dança e capoeira, refletindo sobre a utilização da capoeira no âmbito da dança cênica no Brasil. Foi analisado o trabalho das criadoras Claudia de Souza (SP) e Renata Lima (SP), observando os procedimentos e resultados de seus experimentos. O apoio teórico concentrou-se em teorias da Semiótica da Cultura
Publicado em: 2009
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7. A encenação em situação de ensino e apredizagem : uma contribuição pedagógica possível
This work is a descriptive research that explores the concept and the possible relationships of staging and its practice at a teaching and learning art in school, trying to analyze a possible contribution coming from this educational exercise. The data presented were collected from a group of students from first year of a school of dance of Londrina-PR, admi
Publicado em: 2009
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8. Estratégias poéticas em tempos de Ditadura: a experiência do grupo experimental de dança de Salvador - BA
The consolidation of the theatrical dance in Salvador (1956-1962) is associated with the formation of three representative groups: the Contemporary Dance of the Dance School of the University of Bahia, the folkloric dance of the Folkloric group Viva Bahia and the Classical Ballet of the Ballet School of Castro Alves Theater. During the period of dictatorship
Publicado em: 2008
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9. Vozes, música, ação: dalcroze em cena - conexões entre a rítmica e a encenação / Vozes, música, ação: dalcroze em cena - conexões entre a rítmica e a encenação
This research approaches Eurhythmics as Formative Principle, one of the developments of Émile Jacques Dalcrozeformulations on the pedagogical and professional work with voice, music and staging. Through his axiom music is movement, and movement is music, Dalcroze emphasizes the originality of Eurhythmics in promoting an immanent quality of mankind the indis
Publicado em: 2008
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10. A poética em que o verbo se faz carne: um estudo do teatro físico a partir da perspectiva coreológica do sistema Laban de movimento.
The subject of this study is Physical Theatre, a genre of theatrical performance that emerged in the beginning of the twentieth century as a result of a revolution perpetrated by the avantgarde aesthetic movements, which promoted a deconstruction of logocentrism, which is a process that re-evaluated the condition of the predominance of the word and re-establ
Publicado em: 2006
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11. Body and communication in process: The principle of tension in the experience of taanteatro / Corpo e comunicação em processo: o principio tensão na experiência Taanteatro
The principle purpose of this masters degree dissertation is the study of communication as a dynamic process in which all kinds of mediations are related to a principle of tension. This principle is based on the hypothesis that the body is the primary media of the communication process upon which all other medias are based, and to which they return. In this
Publicado em: 2006
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12. Agô alafiju, odara! a presença de Clyde Wesley Morgan na Escola de Dança da UFBA, 1971 - 1978
Esta dissertação destaca a trajetória artística e institucional de Clyde Wesley Morgan, de modo a favorecer estudos analíticos do legado coreográfico e cultural deixado por este profissional, para a dança e sua contextualidade étnica na Bahia. Além disso, consiste em uma análise estética e reflexiva dos processos de criação e encenação do espe
Publicado em: 2006