Realism In Cinema
Mostrando 1-10 de 10 artigos, teses e dissertações.
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1. Andy Warhol e o cinema como máquina da verdade.
RESUMO Em 1963, no momento em que vivia o auge de sua carreira como artista pop, Andy Warhol passou a realizar também filmes, produzindo-os em ritmo constante até 1968. Este artigo investiga as relações entre pintura e cinema na prática artística de Warhol. Propõe-se uma leitura da obra do artista com base nas noções de aparência, artifício e perf
ARS (São Paulo). Publicado em: 05/09/2019
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2. Chronos Sickness: digital reality in Duncan Jones’s Source Code
Abstract The advent of digital technologies unquestionably affected cinema. The indexical relation and realistic effect with the photographed world much praised by André Bazin (2005) and Roland Barthes (1986) is just one of the affected aspects. This article discusses cinema in light of the new digital possibilities, reflecting on Steven Shaviro’s conside
Ilha Desterro. Publicado em: 2017-04
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3. The Performative Force of Bodies: Affective Realism in Contemporary Brazilian Cinema
AbstractThis article traces the emergence of a younger generation of Brazilian filmmakers whose works bypass traditional themes in Brazilian cinema such as urban violence and historical revisionism to engage in post-identity politics avoiding narratives of nation, class and gender. One of the most prominent features in these recent works is a questioning of
Ilha Desterro. Publicado em: 2015-12
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4. RepresentaÃÃes Realistas do SertÃo: do Canto do Mar ao Baile Perfumado
A partir da anÃlise de quatro filmes de longa metragem, interrogaremos qual à a imagem do SertÃo e do sertanejo projetada na tela do cinema. Considerando a vasta cinematografia sobre o assunto, compreendemos que os filmes escolhidos e estudados traduzem uma idÃia de sertÃo amalgamado aos ârealismos e relatos histÃricosâ do seu espaÃo. Alguns filmes
Publicado em: 2008
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5. Dramaturgo - ator - diretor: a comédia trágica de Eduardo de Filippo.
The present work through a path that originates in the millenarian tradition of the Neapolitan theatre and by means of the Homeric and picaresque anti-hero, seeks to approach itself to the modus operandi of Pulcinella, mask which constitutes in itself the eo ipso of the Neapolitan people. It proposes to create an imaginary and analogue bridge between Naples
Publicado em: 2008
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6. Errância e construção do espaço no cinema moderno Uma leitura da obra de Roberto Rossellini
This dissertation examines the construction of the cinematographic space in the work of Roberto Rossellini and the role of the wandering of the characters in the communication system of films. With basis on the considerations of Gilles Deleuze in Cinema I Movement-Image and Cinema II The Time-Image, we shall analyse the manner by which the perambulation and
Publicado em: 2007
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7. Close-up - A invenção do real em Abbas Kiarostami / Close-up - The reals invention on Abbas Kiarostami
The purpose of this dissertation is to present the analysis of the film Close-up, directed by the Iranian filmmaker Abbas Kiarostami. At first, data from the historic, religious and cultural Iranian universe are explained, relating them to the studys theme. After that, an analysis of the movies narrative is considered in the perspective of documental cinema,
Publicado em: 2007
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8. Entre cinema e pintura: o realismo plástico de Stanley Kubrick em Barry Lyndon
This investigation searches for the effects of meaning resultants from the use of plasticity as a method for creating the visuality in the movie Barry Lyndon, by Stanley Kubrick (1975), and, at the same time, the intersemioticity that emerges from the blending of the aesthetic languages of cinema, painting and literature here involved. Concerning the methodo
Publicado em: 2007
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9. Dogville, movie and criticism / Dogville, filme e crítica
Dogville is a movie to which most people reacted passionately, whether in favor or against it. This dissertation approaches two aspects of this phenomenon. First, it provides a reading of the film that focuses on its contradictory principle. It is not only about the fact that some of it resorts to classic realism whereas some other aspects question this illu
Publicado em: 2007
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10. ESPAÇO HÍBRIDO: NOVAS NARRATIVAS NO CINEMA CONTEMPORÂNEO BRASILEIRO / HYBRID SPACE: NEW NARRATIVES IN CONTEMPORARY BRAZILIAN CINEMA
A tese Espaço híbrido: novas narrativas no cinema brasileiro contemporâneo identifica uma construção discursiva que rejeita o espaço cinematográfico como uma unidade a partir de seus processos de autoria, lugar, linguagem e narrativa. Defende-se que a opção por uma indeterminação promove a construção de um espaço híbrido no qual a fronteira en
Publicado em: 2005