Poetic Composition
Mostrando 1-12 de 30 artigos, teses e dissertações.
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1. Pesquisar com a Arte: ética e estética da existência
Resumo: O presente artigo visa a afirmar o potencial da arte enquanto uma via de pesquisa acadêmica capaz de propiciar modos alargados de pensamento e de ação, concebendo a criação e a experiência como elementos centrais do processo investigativo. O artigo revisita a obra de alguns autores da metodologia conhecida como Pesquisa Baseada em Arte, enfatiz
Educ. Real.. Publicado em: 28/11/2019
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2. Considerações filosóficas sobre o habitar e o visitar no contexto das residências artísticas do Tanztheater Wuppertal Pina Bausch.
RESUMO Este artigo, de caráter ensaístico, consiste em uma reflexão acerca do sentido do habitar e do visitar/viajar desde a construção poética de Pina Bausch. Ao tomar como ponto de partida a apreciação de um conjunto de peças apresentadas no período das Olímpiadas de Londres, em 2012, a investigação procura delimitar a produção da artista, d
ARS (São Paulo). Publicado em: 05/09/2019
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3. Memórias, “analogias e transposições poéticas”
Resumo Em Pequenos poemas em prosa: o spleen de Paris (1869), precisamente em “O quarto duplo”, Charles Baudelaire relacionou a memória ao tempo com uma nota de amargura: “O Tempo reapareceu; o Tempo agora reina soberano; e com o hediondo velho voltou todo o seu demoníaco cortejo de Lembranças, Desgostos, Espasmos, Medos, Angústias, Pesadelos, Raiv
Alea. Publicado em: 29/07/2019
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4. Os aspectos poético-musicais nas obras de Homero: métrica, ritmo e performance / Poetical and Musical Features in Homeric Works: Metric, Rhythm, and Performance (VIII B.C)
We propose to revisit the works of Homer in view of his poetic composition features that refer to elements of performance, as well as oral society in which they were created. We start from a point of view which dialogues with musicology and connects the techniques of composition and improvisation of the bard. We aim to discuss the relationship of these techn
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 04/07/2012
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5. A recriação timbrística na música espectral / The timbral re-creation on spectral music
This research work, organized mainly in two distinct but not disjoint steps: a more theoretical and speculative one and another a little more practical, aims to bring all the possible compositional procedures used by the aesthetical and musical movement known as Spectral Music, which it grounds on the subject about "timbral re-creation", as well as the possi
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 20/01/2012
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6. Metapoesia e confluência genérica nos Amores de Ovídio / Metapoetry and generic influxes in Ovid s Loves
The aim of this thesis is to show how, in Loves, Ovid retook and reworked material from several sources to constitute his work. Older Seneca, in his Controuersiae (specially in II 2, 8) reveals the possibility of some influxes from school rethoric on the Ovid s poetry. In our analysis, we indicated that rhetoric is present like a mean of structure some elegi
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 31/10/2011
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7. Impressões da luz : articulações da luz, da cor e da forma no espaço / Impressions of the light : articulations of the light, color,form in the space
This research, Impressions of the Light, has its focus in the construction of artistic objects, made in relation to the matter and light: how can we elaborate an illuminated book-object? This paper was born from that conflict that also involves observation, perception, emotion and the presentation itself. How can we express the limitless in a reclusive space
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 06/12/2010
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8. O utópico e o trágico antunianos na construção de Que Farei Quando Tudo Arde?
This dissertation provides a study of the novel What Can I Do When Everything s On Fire?, by Portuguese writer António Lobo Antunes, in his poetic journey. This novel represents one of the most dense and complex moments in the artistic project of Antunes. Beginning with the literary criticism and literary theories, this study was developed in three chapters
Publicado em: 2010
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9. Meios e modos da composição on-line : um processo poético da busca / Ways and means of composition online : a case of poetic search
This paper proposes a reflection of the ways and means of using the network composition and manipulation of images on-line in a set of procedures through digital capture and applications resulting from a search in the search for a contemporary artistic production. To realize this proposal a cut in my artistic production, watch a series of works that move and
Publicado em: 2010
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10. Two dogs as an object: surrealistic elements in João Cabral de Melo Neto. Approaches to the cinema / Dois cães como objeto: elementos surrealistas em João Cabral de Melo Neto. Aproximações com o cinema
This dissertation examines the presence of surrealistic elements in the poetic work of the poet João Cabral de Melo Neto (1920 1999), from his literary debut with Pedra do sono, in 1942, until O cão sem plumas (1950). This work, written by the poet during his long sojourn abroad, it will be the main object of this study, the corpus where well describe the
Publicado em: 2010
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11. CARTOGRAFEMAS: fragmentos autobiográficos de um artista-professor.
This research is an autobiographical narrative that approaches the life career of the painter and professor Jorge Eiró. The research proposes to investigate the articulation between the activities performed and its implication in its process of formation. Incorporates as a plastic and conceptual reference the visual poetic of its work associated to its esth
Publicado em: 2009
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12. A saxophone analysis of quartets by Carlos Malta : the educator, the composer and the musician / Uma analise dos quartetos de saxofone de Carlos Malta : o educador, o compositor e o instrumentista
This study tries to study and understand the way that the Carlos Malta s actuation like composer /arranger, educational and musician is present in his play. We take like object of analysis the quartets of saxophones Ponto de Bala and Paradindonde, composed by Carlos Malta and Baião de Lacan and Catenga, by Guinga and Hermeto Pascoal respectively, arranged a
Publicado em: 2009