A recriação timbrística na música espectral / The timbral re-creation on spectral music

AUTOR(ES)
FONTE

IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia

DATA DE PUBLICAÇÃO

20/01/2012

RESUMO

This research work, organized mainly in two distinct but not disjoint steps: a more theoretical and speculative one and another a little more practical, aims to bring all the possible compositional procedures used by the aesthetical and musical movement known as Spectral Music, which it grounds on the subject about "timbral re-creation", as well as the possible contributions of this approach towards to a Spectral Music s conceptual basis. In this sense, some possible references will be raised, both theoretical/technical and musical/compositional/poetic, used by all the major composers and researchers belonging to Spectral Music, as the ones so-called pioneers, Tristan Murail, Gérard Grisey and Hugues Dufourt as well. At this point, it will be presented some possible examples of "timbral re-creation" developed inside the Spectral Music s compositional, conceptual and technical repertoire. In this sense, it will be speculated some possible practical applicability contributions on the conceptual usages of "re-creation" related to the key tools and music processes developed by Spectral Music. Even so, with respect to the practical development of this research work, an analytical approach will be held, taking as its own analysis objects Tristan Murail s mémoire/erosion (1975-76) and Jonathan Harvey s Speaking (2008), assuming its results as the truly methodological background. Finally, a series of compositional works will be presented such as a practical return to the theoretical and analytical developments performed during the Master Degree research work.

ASSUNTO(S)

musical composition computer composition creative processes spectral music composição (música) composição musical por computador processos criativos musica espectral

ACESSO AO ARTIGO

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