Film Criticism
Mostrando 1-12 de 16 artigos, teses e dissertações.
-
1. Uma releitura de The Waste Land sob o viés do Materialismo Lacaniano
Resumo: Este artigo objetiva refletir sobre alguns aspectos do poema The Waste Land (1922), de T.S. Eliot, repensando o movimento do poema de equiparação da modernidade a uma dimensão fantasmagórica e irreal, da qual seria possível escapar ao se atingir uma esfera incorruptível do ser. Porém, faz-se necessário indagar quais são as tensões presentes
Ilha Desterro. Publicado em: 20/05/2019
-
2. Narrativas imaginales de los cuerpos y las sexualidades: Géneros y corporalidades en el filme Feos, sucios y malos
Abstract: Based on theoretical references about the conception of the “imaginal”, that is, modes of constitution of bodies and sexualities through images, this analysis will concentrate on the film "Feos, sucios y malos" (Brutti, sporchi and cattivi) (1976) directed by Ettore Scola, aiming at observing the visualities of the body and its transformations
Rev. Estud. Fem.. Publicado em: 2017-12
-
3. Fortunas y adversidades del revisionismo: cine queer y Contracorriente
Revisionism and its metaphors seem to be a sign of the times. All throughout contemporary cultural production certain approaches are all too present: homages, pastiches, bricolages, parodies, appropriations, rewrites, among others. Not surprisingly, revisionist cultural genres have gain predominance, and specifically in cinema, the revisionist western-genre
Rev. Estud. Fem.. Publicado em: 2014-08
-
4. O dispositivo e seu processo: anÃlise dos filmes 33, filmefobia e seus diÃrios de campo / The device and its process: analysis of 33 films, filmefobia and his field diaries
This research analyzes the movies 33(2003) and Filmefobia (2009), directed by Brazilian filmmaker Kiko Goifman. The movies were studied from their cinematographic perspective and narratives, seeking to indentify how act the appartus developed by the director and its relationship with the creative process. From an explanation about the concept of apparatus in
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 15/04/2011
-
5. Hiroshima Mon Amour e a recepção da critica no Brasil / Hiroshima Mon Amour and the critical reception in Brazil
The first Alain Resnais feature film, Hiroshima Mon Amour was issued in commercial circuit in Brazil in 1960, the year following their debut in France. The film has caused great impact on the specialized criticism motivating many articles in newspapers and magazines. This research embrace the abundant material produced by the Brazilian critic, which was moti
Publicado em: 2009
-
6. O cinema trágico-poético de Pier Paolo Pasolini: Appunti per unOrestiade africana, Édipo Rei, Medeia / The cinema tragic-poetic of Pier Paolo Pasolini: Appunti per unOrestiade africana, Oedipus Rex, Medeia
The objects of the present work are texts about Man: the tragic-poetic cinema of Pier Paolo Pasolini and the classical Greek tragedies. That cinema author dedicated much attention to tragic texts, in which he saw a political foundation: the overcoming, by reason, of mans archaic past, which caused his existential uncertainty. After having translated Aeschylu
Publicado em: 2009
-
7. What does citizen Kane have to do with Queen Christina? the economics and politics for the perpetuation of gender stereotypes in transnational cinemas / O que o cidadão Kane tem a ver com a Rainha Christina? : a economia e a política para a perpetuação dos estereótipos de gênero nos cinemas transnacionais
This thesis analyzes the striking features, common and fundamental, in Eurocentric audiovisual productions, hegemonic and dominant on the world scenery, which incite, perpetrate and perpetuate the denial of the feminine and the formation of gender stereotypes that pervade the diverse cultures and global societies. Theories of the moving image (cinema) and ph
Publicado em: 2009
-
8. The focus of art criticism : art and truth in the Correspondence between Adorno and Benjamin / O foco da critica : arte e verdade na Correspondencia entre Adorno e Benjamin
This work intends to deal with the relationship between art and truth as they are discussed in the debates over a materialistic concept of art criticism taken place in the 1930s between Theodor W. Adorno and Walter Benjamin. The main effort here is to articulate the original idea of a common project shared by both authors -- whose background is situated in s
Publicado em: 2008
-
9. O espaço da morte e sua correlação com sublime no cinema contemporaneo : ensaio psicoficcional na construção de um roteiro / The place of death and its correspondence with the sublime in contemporary cinema : a psycho-fictional essay in script writing
This work is a research on Death and its approach by contemporary Art, e.g. painting and, especially, cinema, analyzing their capability of transforming our perception of Death and the transmutation of pain. The reseach is first based upon concepts born from theories of death, which lead us towards studies on the Sublime as an aesthetic category and its cont
Publicado em: 2008
-
10. Dogville, movie and criticism / Dogville, filme e crítica
Dogville is a movie to which most people reacted passionately, whether in favor or against it. This dissertation approaches two aspects of this phenomenon. First, it provides a reading of the film that focuses on its contradictory principle. It is not only about the fact that some of it resorts to classic realism whereas some other aspects question this illu
Publicado em: 2007
-
11. Sobre a crítica cinematográfica brasileira: análise da produção periódica nos últimos cinco anos
Having as object the cinematographic criticism published in different daily newspaper of different Brazilian cities, this work is focused on an exam of the relation between critic jornalist and their readers and, more specifically, on the readers cultural enhancement. The corpus is constituted by in a selection of critic reviews of Luiz Zanin Oricchio, from
Publicado em: 2007
-
12. The making of the pop idol: a textual analysis of video clips and building the image of Madonna. / A fabricação do ídolo pop: a análise textual de videoclipes e a construção da imagem de Madonna.
Madonnas videography, begun over 20 years ago, follows the evolution of music video itself, also consolidated in the 1980s. Ever since, Madonnas continuous popularity has provided her and her supporting team with a basis to perform both stylistic and thematic innovations in her music videos. The singer adopted music videos as an additional unfolding to her w
Publicado em: 2005