Critique Of Culture
Mostrando 13-24 de 35 artigos, teses e dissertações.
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13. A fotografia sob a ótica processual: Antropologia da Face Gloriosa de Arthur Omar
The present research approaches a procedural analysis of the photo shoot Anthropology of the Glorious Face, by Brazilian artist Arthur Omar, from materials connected to his work, such as books, videos, sites and texts that present part of his production and discussions involving photographic nature. We will observe aspects of the creation of the artist that
Publicado em: 2010
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14. Arte/vida/trabalho e experiência docente: Produção de sentidos de hiphoppers da Vila Pedroso
This research falls within the area of Education and Visuality of the Post-Graduate Visual Culture and discusses the meanings produced by social actors participating in the hip hop movement. The instrumental framework of support for the interpretations is composed of theoretical notions and postmodern research which is inserted in the Field of Cultural Studi
Publicado em: 2010
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15. Imigração e relações raciais na cidade moderna: a teoria social de Louis Wirth / Immigration and race relations in the modern city: the social theory of Louis Wirth
This thesis has as main purpose the conceptual and theoretical reconstruction of the studies of immigration from Louis Wirth, sociologist of German origin, naturalized American, associated with the tradition of the Chicago School of Sociology. The analysis focused on the authors formation writings: Culture Conflict in the Immigrant Familiy (1925), his master
Publicado em: 2010
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16. João Cabral: angústia e mudança social em versos (esboço de análise sociológica) / João Cabral: anguish and social change into poetry (outline of sociological analysis)
This work has been conceived as sociological research about intellectual trajectory of João Cabral de Melo Neto, poet who was born at Pernambuco, in 1920. The aim was to analyze Cabrals insertion in Brazilian literary play, for their first publications, their literary critique reception and dialectical relation between saying himself poet and being said poe
Publicado em: 2009
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17. Reflexões sobre Hekel Tavares e seu cancioneiro / Reflections about Hekel TAvares and his song / Reflections about Hekel TAvares and his song / Reflexões sobre Hekel Tavares e seu cancioneiro
This dissertation reflects about the songs of Brazilian composer Hekel Tavares through the perspective of the anthropological theory of culture and the cultural hybridism theory. It works on three fields: the critique about the composer; the proposition of solutions to questions about his life and musical work; the establishment, through three of his songs,
Publicado em: 2009
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18. Reflections about Hekel TAvares and his song / Reflections about Hekel TAvares and his song / Reflexões sobre Hekel Tavares e seu cancioneiro / Reflexões sobre Hekel Tavares e seu cancioneiro
This dissertation reflects about the songs of Brazilian composer Hekel Tavares through the perspective of the anthropological theory of culture and the cultural hybridism theory. It works on three fields: the critique about the composer; the proposition of solutions to questions about his life and musical work; the establishment, through three of his songs,
Publicado em: 2009
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19. A sátira política em O Pirralho: Juó Bananére e o Hermismo - 1911 a 1915
This research studies the phenomenon of political satire in the city of São Paulo s Belle Époque, specifically the chronic character of the irreverent comedy Juó Bananére, pseudonym of Alexander R. M. Machado, on the then President of the Republic Marshal Hermes da Fonseca and bureaucracy that tied the body of political support. Our study indicated that
Publicado em: 2009
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20. Blásfemos e sonhadores: ideologia, utopia e sociabilidades nas campanhas anarquistas em A Lanterna (1909-1916) / Blasphemous and dreamers: ideology, utopia and sociabilities in the anarchists campaigns in A Lanterna (1909-1916)
This research has its core on the political and social stir led by the anarchist militancy of São Paulo around two campaigns that took place between 1909 and 1916: The first, against the Christóvam Colombo Arts and Trades Orphanage and the later in favor of building the so called Modern Schools in São Paulo. Its main documental resource is the records of
Publicado em: 2009
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21. Da raiz ao fruto da contemporaneidade : Carpinejar e a sede de ser e ter uma prole
The poetry of Fabrício Carpinejar permeates the fragmentation of self and the de-referentialization experienced by the subject behind the lyrical self, which makes him one of the poets that best represents postmodernity. Considering that perspective, we analyze in detail the issue posed by the prefix de- in two of his works, Um terno de pássaros ao sul e M
Publicado em: 2009
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22. Parâmetros fitométricos e produtivos do cafeeiro irrigado e submetido a doses de nitrogênio na Região de Garanhus / Productive parameters of the coffee plant submitted to doses of nitrogen in the area of Garanhus
The coffee practiced in Pernambuco, today, occupies an area of 8 hectares distributed between the Mata Norte (500 ha) and 40 towns of the Wasteland (7.5 thousand hectares). Among the major producing towns stand out Taquaritinga do Norte, Garanhuns, Bom Conselho, Belo Jardim, Brejão and Triunfo. These areas are produced a volume of coffee that correspond onl
Publicado em: 2009
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23. A fiddle forgotten : Jose Eduardo Gramani and the revival of the Brazilian rabeca : postmodernism and performance practice / O violino violado : rabeca, hibridismo e desvio do metodo nas praticas interpretativas contemporaneas : tradição e inovação em Jose Eduardo Gramani
This study examines changes in ways of performing music that took place in the second half of the 20th century. As an example and reflection of these changes, it takes the opus of José Eduardo Gramani and his research on the Brazilian rabeca and the context of "historically informed performance" (HIP). My point of reference is Adorno s essay Bach Defended a
Publicado em: 2008
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24. Official brazilian dance companies and their development: the case of the two companies in the media / Companhias oficiais brasileiras e seus desdobramentos: o caso das companhias 2 na mídia
The following essay intends to conduct a critical study of the dance companies born from public institutions and official Brazilian foundations with the objective of harboring senior artists. These national companies, in their totality, are born from the division of another, already existing one and establish themselves through the dislocation from the main
Publicado em: 2008