A fotografia sob a ótica processual: Antropologia da Face Gloriosa de Arthur Omar
AUTOR(ES)
Camila Mangueira Soares
DATA DE PUBLICAÇÃO
2010
RESUMO
The present research approaches a procedural analysis of the photo shoot Anthropology of the Glorious Face, by Brazilian artist Arthur Omar, from materials connected to his work, such as books, videos, sites and texts that present part of his production and discussions involving photographic nature. We will observe aspects of the creation of the artist that include the articulation of languages (music and video), cultural networks, inter-relations among some of his work, creative tendencies, relations to raw material, interactions to the anthropological field, among others. To be able to embrace a work that acquires several versions and therefore addresses to certain time continuity from actions of non linear gestures of the intervention of the artist, we will recur to the theoretical basis of fundaments in the Process Critique articulated by Cecilia Salles, based on Charles Sanders Peirce s semiotics. We will also build, during this research, dialogues with researchers of image and communication such as Roland Barthes, Philippe Dubois, Arlindo Machado, Rubens Fernandes, among others; and researchers of culture, such as Mikhail Bakhtin and Iuri Lotman; as well as anthropologists such as Massimo Canevacci and José da Silva Ribeiro. This is an interdisciplinary research that creates dialogues among Process Criticism, Anthropology, Semiotic and Communication. Therefore, within the modern complexity that involves Brazilian photographic productions, we propose to present investigative ways to analyze photographic images that comprehend creative processes, enriching the ways to reflect upon photography and its relations to other areas, such as anthropology
ASSUNTO(S)
semiotics process critique comunicacao web 2.0 (sistema de recuperacao da informacao) redes de relacoes sociais fotografia communication photography crítica de processo antropologia semiótica anthropology
