Audiovisual Culture
Mostrando 25-36 de 42 artigos, teses e dissertações.
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25. O cinema audiovisual: um formato configurado na interação teatro/cinema e tv
The culture of the audiovisual has since 1980 been expanding as a circulating space for a set of old and new creative expressions. This movement promotes significant changes in the practices within the systems of signs and means, originating new formats whose compositions unveil the convergence of languages, regardless of the means which originate them and w
Publicado em: 2007
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26. Micropolíticas da juventude e visibilidades transversais: in(ter)venções audiovisuais na Restinga, em Porto Alegre
In the city of Porto Alegre, more specifically at Restinga, a neighborhood with forty years of history and resistance to social and media visibility due to confinement, a minority segment the young, producers and managers of mixed state media, especially community audiovisuals is examined, with their ways of creating alliances and groups of periphery communi
Publicado em: 2007
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27. Ateliê de vídeo e cultura juvenil: um estudo de caso sobre aprendizagem e socialização de jovens urbanos de segmentos populares através das tecnologias do vídeo digital / Video atelier and youth culture: a case study on the learning and socialization of urban young people from poor social segments through digital video technologies
The goal of this study is to investigate how video technologies can mediate new ways to learn and socialize. The core question it aims to answer is how and why a video atelier contributes to the education of low-income class youths living in poor suburbs of Great São Paulo, using video creation and production strategies. In the investigation process I have
Publicado em: 2007
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28. Discurso e atuação de quatro grupos musicais da região do mangue.
In this dissertation, the reader will be introduced to the phenomenon consisting of three music groups from Aracaju and one group from Recife, Brasil, who are developing a musical hybridization based on local and regional elements on the one hand and transnational elements on the other; they are Sulanca, Naurêa, Maria Scombona e Chico Science e Nação Zumb
Publicado em: 2007
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29. Another look - audiovisual in the class architecture: pedagogical innovations / Outro olhar - o audiovisual na arquitetura da aula: inovações pedagógicas
This study inset in the research line of the University, Instruction and Teachers Education, has the following objectives: 1. identifying interests and motivations of the use of audiovisual in the education practices by teacher in the Social Communication graduation course at a College in the Southeast area of the State of São Paulo; 2. diagnosing the possi
Publicado em: 2006
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30. Tradução audiovisual: a variação lexical diafásica na tradução para dublagem e legendagem de filmes de língua inglesa / Audiovisual translation: the diaphasic variations in the dubbing and subtitling movies translations in English idiom
The diaphasic lexical variations which is the differences between several types of expressive modalities, have been frequently ignored by the movie translators, maybe for lacking of acknowledge of the translators, or the work of research that one must be developed in this case, what mischaracterize many characters. The goal of this research is bring up relev
Publicado em: 2006
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31. Olhe bem mais de perto : beleza americana e a personalidade autoritaria em foco
In this dissertation the collective research "The Authoritarian Personality", in which Theodor W. Adorno has participated, and the movie "Arnerican Beauty", written by Alan Ball and directed by Sam Mendes, have been brought into focus. The aim was to pursue the movements of looking in the sociological work and in the audiovisual product as well, considering
Publicado em: 2006
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32. Entre evas e humanos: uma abordagem da relação homem-máquina através da animação japonesa néon genesis evangelion
In a brief examination of contemporary productions about the most diverse subjects we identified the role of the image at the end of 20th century Identified by many studious as a society that constructed great part of its symbolic universe through the information supplied by the means of mass culture specially those that present visual as data the contempora
Publicado em: 2006
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33. Palhaços da cara preta: Pai Francisco, Catirina, Mateus e Bastião, parentes de Macunaíma nos Bumba-bois e Folias-de-Reis - MA, PE, MG / Black-faced clowns: Black Francisco, Catirina, Mateus and Bastião, relatives of Macunaíma in Bumba-bois and Folias-de-Reis MA, PE, MG
Trabalho voltado a três brincadeiras populares com personagem negro de máscara, em três Estados brasileiros, e a comparações com o personagem Macunaíma, de Mário de Andrade. Foi realizada pesquisa de campo com registro áudio-visual por quatro anos, em continuidade com pesquisa anterior de Mestrado. O capítulo 1 introduz abordagens de Mário de Andra
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 16/02/2005
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34. THE CONTEMPORARY AUDIOVISUAL: A WORLDY LANGUAGE / O AUDIOVISUAL NA CONTEMPORANEIDADE: UMA LINGUAGEM MUNDIALIZADA
The dissertation The contemporary audiovisual - a worldy language discusses the relations between the several medias that compose the audiovisual and their influences amongst one another, in order to understand wether there is one specific aesthethic for each one of them or if there is a general one that englobes all these medias, a wordly aesthethic. Our st
Publicado em: 2005
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35. Alfabetização semiótica na cultura: a construção das escritas contemporênea.
ABSTRACT The objective of the research that originate this work was to investigate and analyze some of the aspects of the semiotic education, considering the expansion of writing into the cultural context of interconnected semiotic systems through processes of expansion, experimentation and creation. To state that our culture is expanding is to approach it a
Publicado em: 2005
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36. Precisamos ter um cinema nacional? a retomada do cinema brasileiro 1993-2003
The subject of the present dissertation is the Return of Brazilian national cinema, since the creation of the Audiovisual Bill, in 1993, up to the creation of ANCINE in 2003. Two questions guided this research: do we need to have national cinema? What kind of cinema do we find desirable? Both questions require reflecting over three aspects, which constitute
Publicado em: 2005