The music in São Paulo city, 1765-1822 / A música na cidade de São Paulo, 1765-1822

AUTOR(ES)

Claudia Aparecida Polastre

DATA DE PUBLICAÇÃO

2008

RESUMO

This work investigates the musical activities of São Paulo city from 1765 to 1822 and verifies how the music circulation in the sacred as well as profane circles and its following process of democratization of spaces contributed for the growth of the socialization practices of the colonial society. The relationship between the producer - the composer or musician in this case, and the attended institutions such as churches, brotherhoods or even private contracts, will be discussed. Besides this relationship there is also the reception of the society during the period and the different ways of music reproduction. Studying this relationship we establish the church and profane musical circuit of the period. The activities of the house of opera during the government of D. Luís Antônio de Sousa Botelho Mourão gave to the city of São Paulo a cultural integration to the principal cities of colonial Brazil.

ASSUNTO(S)

música sacro-profano festivities music são paulo colonial colonial são paulo opera sacred- profane festividades Ópera

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