Que mergulho! O espaÃo vertiginoso da subjetividade feminina no livro/filme as horas
AUTOR(ES)
Ana Adelaide Peixoto Tavares
DATA DE PUBLICAÇÃO
2008
RESUMO
The novel The Hours by Michael Cunningham, adapted to the cinema with the same title, by Stephen Daldry, illustrates so well a contemporary tendency of an artistic creation in which a text is constructed from other famous texts onwards, questioning aspects of origin, as well as considering some characteristics which include fragmentation and parody. The aim of this research is to analyze both the novel and the filme As Horas, focusing the dizzy space of the feminine subjectivity; the one which presents a fragmented and dislocated subject of its historical role. As part of this academic journey, it was necessary to dive into subitens such as: the inadequacy of women when facing everyday life and domesticity; their choices, and feelings of unaccomplishments. Thus, the present work also views to read The Hours not only as a rewriting of Mrs. Dalloway (Virginia Woolf), but also as a gesture in the direction of a postmodern aesthetic impulse. Besides, it was given an approach to contemporary women, to whom new possibilities of articulations were possible to achieve, taking the echo of the characters throughout the decades into consideration, as well as the resonances of new subjects, which turns out to be a new Mrs. Dalloway the one who transcends the pages. In order to create the moment, a new vision of this socalled theme for Woolf is urged: An ordinary day in a womanÂs life
ASSUNTO(S)
postmodern fiction &cinema subjetividade feminina diÃlogo &intertextualidade dialogue &intertextuality ficÃÃo pÃsmoderna &cinema domesticidade &inadequaÃÃo e virginia woolf letras feminine subjectivity - domesticity &inadequacy and virginia woolf
