O som ouvido visto e sentido: o repertório sonoro da cena teatral e a dramaturgia sonora dos espetáculos do Circo Teatro Udi Grudi

AUTOR(ES)
FONTE

IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia

DATA DE PUBLICAÇÃO

16/04/2012

RESUMO

This dissertation presents an analysis regarding the sonorous repertoire within the theater ambit and how it can become the conductor in a dramaturgy. This analysis runs through the importance and functions of the sound repertoire in the theatrical ambit as well as other aspects of the subject. The explanation on the subject is discussed from a study about the Circo Teatro Udi Grudi from Brasilia. This group is known for its eminence on the sound repertoire as diversity. For this dissertation three plays were analyzed: O Cano, O Ovo e A Devolução Industrial. In all three plays its possible to realize that the sound repertoire is the conductor of the scenes dramaturgy, each one in its own way. The following authors were used as reference for the theoretical basis support: Lívio Tragtenberg, Luiz Otávio Carvalho Gonçalves de Souza e Roberto Gill Camargo. They are theoretical and in practice researchers. The following authors were taken to deepen the discussion: José Miguel Wisnik and Murray Schafer, who write about sound in a reflective matter

ASSUNTO(S)

música teatro (literatura) composição sonora para teatro sonoplastia dramaturgia sonora repertório sonoro teatro sound repertoire sound playwriting sound design técnica sonorous composition for theater

ACESSO AO ARTIGO

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