Musical Repertory
Mostrando 1-10 de 10 artigos, teses e dissertações.
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1. PRÁTICAS DE EDUCAÇÃO MUSICAL EM INSTITUIÇÃO DE ACOLHIDA PARA ADOLESCENTES: POSSIBILIDADES E LIMITES
Este trabalho apresenta uma análise das práticas musicais no ambiente de uma instituição que acolhe adolescentes em situação de risco pessoal e social. O objetivo da pesquisa foi investigar as relações das adolescentes envolvidas com o repertório musical clássico, popular e midiático, desvelar as contradições do contexto institucional no que se
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 04/04/2012
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2. Adolescente e Canto - definição de repertório e técnica vocal adequados à fase de mudança vocal / Adolescent and sing: definition of repertory and vocal technique in phase of changing voice
No Brasil há uma grande demanda por pesquisas que tenham como principal objeto o estudo sobre o adolescente em fase de mudança vocal. Com relação ao estudo do canto destes jovens, tanto solo, como em corais, o que se observa é a utilização de práticas pedagógicas apropriadas para as vozes maduras dos adultos. O professor de canto, assim como o regen
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 28/04/2011
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3. Silvestro Ganassi : obra intitulada Fontegara : um estudo sistemático do tratado abordando aspectos da técnica da flauta doce e da música instrumental do Século XVI / Silvestro Ganassi : Opera intitulata Fontegara : a systematic study of the treatise with commentaries on recorder technique and sixteenth century instrumental music
This work consists in a study and a translation of the treatise Opera Intitulata Fontegara, written by Silvestro Ganassi dal Fontego, player of the Most Illustrious Signoria of Venice. This treatise is the first complete and detailed work about recorder technique and the art of diminution. It was printed by the author himself in 1535 and dedicated to Andrea
Publicado em: 2010
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4. Mãe de Deus Choir- Tupanciretã, RS: Its half of my life, only he who sings knows what thats, like!? / Coro Mãe de Deus- Tupanciretã/RS: É metade de minha vida, só quem canta sabe o que é, né?
The present thesis was developed in the post-graduate program in education at the Universidade Federal de Santa Maria in the line of research in Education and Arts. It deals with a case study of the school youth choir Mãe de Deus, from the city of Tupanciretã in the state of Rio Grande do Sul, Brazil, where 6 members of the choir with varying amounts of ti
Publicado em: 2007
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5. Coral Cariúnas: identidade, significado e performance
The purpose of this study was to investigate the role of the experiences lived by the Cariúnas Choir in its choral singers identities. This Choir belongs to the social project Cariúnas, implanted by Sociedade Artística Mirim of Belo Horizonte, who works with activities of music and dancing. This qualitative study described and analyzed the understanding o
Publicado em: 2007
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6. Os signos educativos presentes no cinema: uma análise dos filmes dos trapalhões da década de 1980
The present work has as its objective the analysis of educational signs in the Os Trapalhões comic groups cinematographic language, verifying through those signs the possibility to create educational subsides for the teaching and learning process in the Basic Education, so that they provide the children with educational contexts. This research, which is ins
Publicado em: 2007
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7. Machado de Assis em contos :Uma constelação de partituras
This work aims at encouraging the reading or rereading of tales such as Um homem célebre, Cantiga de esponsais, Terpsícore, Trio em lá menor, O machete, and Marcha fúnebre from the Brazilian writer Joaquim Maria Machado de Assis, hoping to find in them the manifestations of musicality, which is understood, from the viewpoint of contemporary musical theor
Publicado em: 2006
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8. A canção viver de amor de Toninho Horta e Ronaldo Bastos: aspectos composicionais e de performance em um arranjo para trio de oboé, trompa e piano
Study about compositional and performance aspects yielded by the transposition from the popular to erudite musical styles in the trio arrangement for oboe, horn and piano by Hermínio Carlos de Almeida of the song Viver de Amor (1980) by Brazilian composers Toninho Horta and Ronaldo Bastos. It discusses the legitimacy of this procedure, its importance to the
Publicado em: 2005
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9. Dança Nordestina de Santino Parpinelli: aspectos históricos analíticos e interpretativos
It focus the work Dança Nordestina composed for violinist, educator, and composer Santino Parpinelli (1912-1991). Despite of this composition is one of the most known of the Brazilian double bass repertory and, probably, one that has more versions and arrangements, the composer isnt well known. With the purpose of to context of the work and to evidence of P
Publicado em: 2005
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10. A sonoridade especifica do Clube da Esquina
The expression Clube da Esquina has been used to refer to a group of composers, mostly from the State of Minas Gerais, and performers who produced a large musical repertory during the seventies in Brazil. With Milton Nascimento as the central character, the group includes Wagner Tiso , among others. Bound by an poetical an musical affinity, they had the city
Publicado em: 2005