A sonoridade especifica do Clube da Esquina

AUTOR(ES)
DATA DE PUBLICAÇÃO

2005

RESUMO

The expression Clube da Esquina has been used to refer to a group of composers, mostly from the State of Minas Gerais, and performers who produced a large musical repertory during the seventies in Brazil. With Milton Nascimento as the central character, the group includes Wagner Tiso , among others. Bound by an poetical an musical affinity, they had the city of Belo Horizonte as a point of departure for they meetings, formation and creative production. This study about the Clube da Esquina is based in the context of transformations that made it possible to make history and to mark groups, places and/or people in the Brazilian musical scenery during the twentieth century. Althought it has been considered a movement, it seems more adequate to say that the its production has a distinctive sonority. The purpose of this work is to promote an aesthetical reflection about that sonority, understanding that it is a combination of composing, arranging and performing elements. For that purpose the Album Clube da Esquina, released in 1972 (with 21 songs) has been chosen as a source, considering that it is the first work to sinthesize the specific musical characteristics ofthe group

ASSUNTO(S)

canções musica popular - brasil popular songs brazil songs club of the esquina 1960-1970

ACESSO AO ARTIGO

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