Musical Instruments
Mostrando 25-36 de 65 artigos, teses e dissertações.
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25. Interações entre avós e seus netos com deficiência: uma experiência em musicoterapia / Interactions among grandmothers and their disabled grandchildren: an experience in musictherapy
A newborns arrival is always full of expectancies. When the fantasized infant is born with a disability, however, this may bring an impact in the family, creating new ways of relationships. Sometimes, the extensive family, such as grandparents, and other relatives, or even other systems outside the family may help to relieve the stress caused by the infant`s
Publicado em: 2009
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26. Politics and performances of diversisity : intercultural musical scene in São Paulo / Politicas e performances da diversidade : etnografia de um circulo musical intercultural em São Paulo
The objective of this dissertation is to analyze the constitution of a world music production and consumption scene in São Paulo (Brazil) by a network of musical groups and musicians dedicated to the practice of non-western and non-Brazilian musical instruments and languages. This network is formed both by groups that are specialized in specific musical cul
Publicado em: 2009
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27. A batucada da Nene de Vila Matilde : formação e transformação de uma bateria de escola de samba paulistana / Batucada of Nene de Vila Matilde : appearing and developing of a bateria de escola de samba of São Paulo, Brazil
The percussion band (bateria) of a samba school is the group responsible for the rhythm-musical development of this type of carnival community. To a certain extent, it contributes for the definition of the school identity, driving the parade on by playing rhythm patterns executed by sets of ten percussion instruments, associated in different groups. Moreover
Publicado em: 2009
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28. Percussão e interatividade PRISMA : um modelo de esçao instrumento auto-organizado / Percussion and interactivity PRISMA : a model of a self-organized instrument-space
The contemporary development in technology makes it possible to create models for studying the correlations between stimuli and auditory, visual and spatial sensations. Numerous composers have already created compositional processes to explore these dimensions, but this is still incipient in the context of theoretical studies in music performance. Performers
Publicado em: 2009
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29. Concerto n. 1 para Violino e Orquestra de M. Camargo Guarnieri: Aspectos Históricos, Estéticos e Temático-Motívicos.
The purpose of this research was to study the Concerto no. 1 for Violin and Orchestra by Camargo Guarnieri. One of its main goals was the search for elements of the Brazilian musical nationalism present in this work. Thus, in order to achieve this first goal, an analysis was done based on the Ensaio sobre a música brasileira by Mário de Andrade. Where the
Publicado em: 2009
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30. A palavra cantada em comunidades-terreiro de origem Iorubá no Brasil: da melodia ao sistema tonal / The word sung in Yoruba origin communities in Brazil: of melody to the tonal system
This work aims at analyzing the melody-tone relationship in African origin chants in Queto houses of candomble. The stable character of the sung word has led to the analysis of musical texts. In order to implement investigations ten Nago chants have been selected. They have been recorded without instruments by the people of Saint themselves and an Yoruba cha
Publicado em: 2009
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31. Intonational strategies in ensemble singing
The aim of the research was to find out about intonational strategies in the performance situation. The singing voice was chosen as the appropriate subject for experimental work, due to its superior capability to define pitch as compared to other musical instruments. Ensemble singing was also required, as harmonic context may be important in the clarificatio
Publicado em: 2009
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32. CinBalada: a multiagent rhythm factory
CinBalada is a system for automatic creation of polyphonic rhythmic performances by mixing elements from different musical styles. This system is based on agents that act as musicians playing percussion instruments in a drum circle. Each agent has to choose from a database the rhythm pattern of its instrument that satisfies the "rhythmic role" assigned to hi
Journal of the Brazilian Computer Society. Publicado em: 2008-09
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33. Educação musical: a perspectiva de professoras da educação infantil
The goal of this study is to investigate how ECE (Early Childhood Education) teachers assess the musical activities carried out with children in a private school in the Municipal district of Itajaí. It is therefore characterized as a study which takes a qualitative approach. The participants of the survey were four CE teachers of two kindergarden classes; N
Publicado em: 2008
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34. A fiddle forgotten : Jose Eduardo Gramani and the revival of the Brazilian rabeca : postmodernism and performance practice / O violino violado : rabeca, hibridismo e desvio do metodo nas praticas interpretativas contemporaneas : tradição e inovação em Jose Eduardo Gramani
This study examines changes in ways of performing music that took place in the second half of the 20th century. As an example and reflection of these changes, it takes the opus of José Eduardo Gramani and his research on the Brazilian rabeca and the context of "historically informed performance" (HIP). My point of reference is Adorno s essay Bach Defended a
Publicado em: 2008
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35. Audible Images: síntese de imagens controladas por áudio / Audible Images: a system for audio controlled image synthesis
Neste trabalho é apresentada a biblioteca AIM, uma biblioteca de objetos Pd que combina ferramentas de análise de áudio e síntese de imagens para a geração de acompanhamentos visuais para uma entrada musical. O usuário estabelece conexões que determinam como os parâmetros musicais afetam a síntese de objetos gráficos, e controla estas conexões em
Publicado em: 2008
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36. A viola con anima: uma construção simbólica / A viola con anima: uma construção simbólica
The historical researches on the Brazilian violas were limited by textual and iconographical references to the musical instrument and its musical production, particularly from the second half of the 17th century to the beginnings of the 18th, except from a small reference found in Cancioneiro de Músicas Populares by Cesar das Neves, published first in 1893.
Publicado em: 2008