Musica Caipira
Mostrando 13-20 de 20 artigos, teses e dissertações.
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13. Frevo para piano de Egberto Gismonti: uma análise de procedimentos populares e eruditos na composição e performance
This work is a study about the recognition of classical and popular elements in Gismontis performance of his work Frevo for solo piano. It is a descriptive analysis, based on musical characteristics of the genre frevo and on composicional comparisons with classical composers. It has been used as primary sources: a) the recording of Frevo, performed by the au
Publicado em: 2009
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14. The Brazilian ten-string guitar of Tião Carreiro / A viola caipira de Tião Carreiro
This work is the result of a research on the musical work of the musician and composer Tião Carreiro (José Dias Nunes, 1934-1993). The main focus was to identify the constituent elements and the characteristics of the style of this artist as a viola (Brazilian ten-string guitar) instrumentalist, considering the viola a recognized instrument as the symbol o
Publicado em: 2008
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15. Modas de Vila e Modos de Vida: A Representações do Rural na Moda de Viola.
This work aims to identify the representations of countryside in songs classified as moda de viola. This type of music began to run on broadcast radio and recorded on discs at the beginning of the decade of 1930 and has always been associated with the rural way of life, more specifically the inhabitants of rural areas limited to the area of caipira culture,
Publicado em: 2008
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16. A viola con anima: uma construção simbólica / A viola con anima: uma construção simbólica
The historical researches on the Brazilian violas were limited by textual and iconographical references to the musical instrument and its musical production, particularly from the second half of the 17th century to the beginnings of the 18th, except from a small reference found in Cancioneiro de Músicas Populares by Cesar das Neves, published first in 1893.
Publicado em: 2008
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17. Arranjos de música regional do sertão caipira e sua inserção no repertório de coros amadores / Choral arrangement, choral singing, amateur choir, Brazilian regional music, "sertão caipira".
This article proposes a reflection about the repertoire sung by amateur choirs, focusing on the process of elaboration of vocal arrangements based upon Brazilian regional music, especially country-hick songs (música caipira). The songs discussed here and their arrangements unfold a very particular thematic world, that of the music from one of Brazils variou
Publicado em: 2007
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18. Arranjos de música regional do sertão caipira e sua inserção no repertório de coros amadores / Choral arrangement, choral singing, amateur choir, Brazilian regional music, "sertão caipira".
O presente artigo propõe reflexões sobre o processo de elaboração de arranjos vocais de músicas regionais brasileiras, em especial a caipira, destinados a coros amadores. As composições enfocadas neste artigo e os arranjos que delas resultaram revelam um universo temático muito específico, aquele da canção regionalista oriunda da cultura de apenas
Publicado em: 2007
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19. Música em 78 rotações: discos a todos os preçosna São Paulo dos anos 30 / Brazilian music in the 78rpm disc records: discs of all prices in São Paulo´s 20th century
A presente pesquisa investiga os caminhos trilhados pelas gravadoras de discos 78rpm que atuaram na cidade de São Paulo, desde a inauguração da gravação elétrica até a consolidação do rádio. Analisa-se, especialmente. o processo de incorporação, seleção, ou recriação das empresas fonográficas diante da produção musical brasileira. A tecnol
Publicado em: 2006
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20. Múltiplas vozes no ar: o rádio em São Paulo nos anos 30 e 40
From the thirties s on, the radio in São Paulo seeked to stablish itself as na important point ofreference in the cultural life of the city. Abandoned a kind of unpersonal "upperclass" style, a characteristic of its first years, broadcasting tried, little by little, to reach wider strata of the population, redefining its role, conceming education and cultur
Publicado em: 2000