Music 20th Century
Mostrando 13-24 de 32 artigos, teses e dissertações.
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13. A voz contemporânea / A voz contemporânea
This work focuses on the comprehension of contemporary voice as a musical expression: its form, its meaning, and its historical origin. We intend to portrait it as an artistic reality of the vocal music in the 20th century, particularly since the 60s until nowadays. Since the voice is intimately connected to the body, which, by its turn, is related to a wide
Publicado em: 2008
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14. A fiddle forgotten : Jose Eduardo Gramani and the revival of the Brazilian rabeca : postmodernism and performance practice / O violino violado : rabeca, hibridismo e desvio do metodo nas praticas interpretativas contemporaneas : tradição e inovação em Jose Eduardo Gramani
This study examines changes in ways of performing music that took place in the second half of the 20th century. As an example and reflection of these changes, it takes the opus of José Eduardo Gramani and his research on the Brazilian rabeca and the context of "historically informed performance" (HIP). My point of reference is Adorno s essay Bach Defended a
Publicado em: 2008
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15. Música e cena: Uma proposta de delineamento da musicalidade no teatro
This work focuses on the musicality in a theatrical context and suggests a delineation of its fundaments. It considers that the musical language achieves its own nature by entering the Theater, as a consequence of the scene requests, demanding the development of specific procedures, as so as the adequate musical education of the actor. This work also points
Publicado em: 2008
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16. MÃsica das Formas: a melopoÃtica no romance Avalovara, de Osman Lins
This essay stands about the yet little discussed subject, in the field of the intersemiotics studies, of the possible relations between two kinds of art said as âtemporalâ in the classic definition of Lessing: literature and music. Although they are closer, in this aspect, than the other arts known as âsistersâ, but âopponentsâ â literature and painti
Publicado em: 2008
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17. A musica de Morton Feldman sob a otica de sua compreensão da pintura do expressionismo abstrato / The music of Morton Feldman by the optic of his comprehension of abstract expressionism painting
Esta pesquisa reflete a relação entre a música do compositor norte americano Morton Feldman e o grupo de pintores do Expressionismo Abstrato The New York School of Visual Arts - partindo da ótica do próprio compositor. Abordamos a maneira como Feldman trabalhou concepções advindas da pintura na composição técnica e estética em sua música. Para di
Publicado em: 2008
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18. From open form to indeterminacy : procedures of employment of hasard in the brazilian music for piano / Da forma aberta a indeterminação : processos da utilização do acaso na musica brasileira para piano
The main purpose of this essay is to analyse music pieces of the Brazilian repertoire for piano that use processes of chance (Open Form, Aleatory Music, Improvisation and Indeterminacy). This essay begins with the historic context of the use of chance in the 20th Century, trying to establish its antecedents and its origins in the musical scenery afier World
Publicado em: 2007
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19. Processos de composição microtonal por meio do modelo de dissonancia sensorial / Microtonal compositional processes via the sensory dissonance model
On the present research, Tuning Systems were studied in order to investigate its application in Creative Processes. For such, we created a distinction of compositional approaches in the music of the 20th Century, and we also studied mechanisms of scale development by mainly adopting Psychoacoustics (i.e. Roughness Model), which enabled the development of a c
Publicado em: 2007
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20. As donas e as vozes: uma interpretação sociológica do sucesso das estrelas- intérpretes no carnaval de Salvador. / The owners and the voices: a sociological analysis of the success os star/interpreters in the Carnival of Salvador, Bahia.
This study deals with stars of axé music in the Carnival of Salvador. It examines the participation of these star singers in the construction of a representation of Bahian society, specifically the capital and the Recôncavo region. This form of representation, which attained visibility in the past few decades, has come to be referred to in the media and in
Publicado em: 2007
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21. The Beatles: ensaio sobre a ética do amor
The thesis intends to discuss the ethics by the way of love. So, it uses as a mention the musical work and the set of attitudes of the group that changed the way of thinking across the 20th Century mass-comm, entering a new way of thinking about the World: The Beatles. Analyzing the lyrics and the writing of the songs was searched the comprehension of he int
Publicado em: 2007
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22. A musicalidade como arcabouço da cena: caminhos para uma educação musical do teatro / A musicalidade como arcabouço da cena: caminhos para uma educação musical do teatro
On this thesis, I propose new ways for musical education in the theater, based on the belief that the scene can be understood as an event guided and structured on musical foundations, supported by the similarity that exists in the ways of perception of time in music and drama. It is possible to understand the scene on the grounds of the concept of mousiké,
Publicado em: 2006
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23. Gregorian thermes in four orchestral works between 19th and 20th centuries / Temas gregorianos em quatro obras orquestrais entre os seculos XIX e XX
The aim of this research is to bring about important considerations about the use of gregorian chant themes in four important orchestral works by western music composers. These four works were selected within a rich universe of polyphonic compositions inspired in the early gregorian monophonic style. In each case, the type of accompaniment and harmonic flow
Publicado em: 2006
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24. Brasiliana nº2 de Cyro Pereira : analise interpretativa, preparação de edição e redução para viola e piano / Brasiliana n.2 by Cyro Pereira: interpretative analysis, edition and piano reduction
The purpose of the present research is to study the technical and interpretative aspects of the piece viewing its performance. To accomplish this objective, harmonic, formal, technical and idiomatic aspects were analyzed. A critical edition of the score and parts, as well as a piano reduction was prepared, with the intent of divulging the piece and enabling
Publicado em: 2006