Italian Painters
Mostrando 1-4 de 4 artigos, teses e dissertações.
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1. Os modelos plásticos auxiliares e suas funções entre os pintores italianos : com a catalogação das passagens relativas ao tema extraídas da literatura artística / The auxiliary plastic models and their functions among Italian painters : with the listing of the passages on the theme taken from the artistic literature
Procedimento surgido na Itália central durante o Quatrocentos, o uso de modelos plásticos auxiliares estava entre as diversas etapas que compunham o longo processo de realização de uma pintura. Essa prática artística consistia na elaboração de estatuetas de argila ou cera que deveriam atuar como modelos para o pintor. Podiam ser vestidos ou não, uti
Publicado em: 2010
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2. Vivre à St. Paul: os imigrantes franceses na São Paulo oitocentista / Vivre à St. Paul: the French immigrants living in the city of São Paulo during the second half of the nineteenth century.
The core of this thesis was to study the French immigrants living in the city of São Paulo during the second half of the nineteenth century. Notwithstanding their quantitative minority compared with other migratory currents such as that of Italian people, they were qualitatively relevant in a certain moment during which there was a pressing propagation of F
Publicado em: 2008
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3. Tradução comentada da obra "Vida de Michelangelo Buonarroti", escrita por Ascanio Condivi / Annoted translation of the book "La vita di Michelangelo Buonarroti", written by Ascanio Condivi
This work is an annoted translation of the book La Vita di Michelangelo Buonarroti, written by Ascanio Condivi, which is a reference in Classic Arts historiography. In the development of this translation, a comparison of determinated aspects of both Vite di Michelangelo, one written by Giorgio Vasari and the other written by Ascanio Condivi is made. Among
Publicado em: 2008
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4. A perspectiva no olhar: ciência e arte do renascimento
Recent academic works comes approaching fear from the perspective and as the three-dimensional space can be represent two-dimensionality. This work propose contribute in the pole of the view and in the pole of the know about the three-dimensional space across of arising from techniques of the Italian Renaissance. The inquiry gives-itself about the discovery
Publicado em: 2004