Intertexts
Mostrando 1-12 de 12 artigos, teses e dissertações.
-
1. Um olhar sobre a dramaturgia de Armando Nascimento Rosa: intertextos, contextos, mito e história em Um Édipo / A look on the dramaturgy of Armando Nascimento Rosa: intertexts, contexts, myth and history in An Oedipus
Esta dissertação investiga o mito de Édipo e suas representações no teatro de Armando Nascimento Rosa. O modo de construção de Um Édipo: o drama ocultado aponta para novas formas de olhar para os mitos, para a história e para os paradigmas, por meio de estratégias de construção dramática bastante interessantes. Dentre essas, neste trabalho é di
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 26/08/2011
-
2. Entre Napoleón y Jesucristo: las peripecias del "alma rusa" en la obra de Dostoievski
This is an analysis of the two components of the "Russian soul" highlighted in the Dostoevsky's novels: Napoleonism and Christology. The origins of both of them can be found in the Western history and civilization. There is a certain paradox in the fact that the evolution of these two lines in the oeuvre of the great Russian writer arrives to an approach of
Bakhtiniana: Revista de Estudos do Discurso. Publicado em: 2011-12
-
3. Oribela e os outros : intertextos em Desmundo, de Ana Miranda
In this study, we point out, from textual occurrences in enunciative scene presented the Desmundo romance by Ana Miranda writer (2005), the intertexts found in the corpus. Having the studies about the Textual Linguistic as a support, we work with the assumption that every and any text is a set of intertexts, and that the intertextuality presence is one
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 27/03/2009
-
4. The real and the fictional in A casca da serpente and Guerra no coração do cerrado / O REAL E O FICCIONAL EM A CASCA DA SERPENTE E GUERRA NO CORAÇÃO DO CERRADO
This study aims to analyze the works A casca da serpente (2001), José J. Veiga and Guerra no coração do Cerrado (2006), Maria José Silveira, focusing on the language crafted by the writers for the construction of their narratives. The theoretical depart from Bakhtin in Marxismo e Filosofia da Linguagem (2004), Hayden White, Trópicos do discurso ensaios
Publicado em: 2009
-
5. O Homero de Horacio : intertexto epico no livro I das Epistolas / Homer s Horace : epic intertext in the Epistles I
This research is divided in two parts: translation and study. In the first, we present a translation of Horace s Epistularum Liber Primus, which contains twenty Latin letters, into modern Portuguese, in juxtaposed way, with no poetic intentions. Translation difficulties and some linguistic, historical, geografical, social, cutural etc. observations, that mig
Publicado em: 2009
-
6. Henri Michaux and the construction of the style in the senses instabilities: the poetry of threshold and limit / Henri Michaux e a construção do estilo nas instabilidades do sentido: uma poética de limiares e limites
The poetry of Henri Michaux, the author of the French contemporary literature, shows some features that transmit to the work a character of considerable diversity and heterogeneity and establish what will be called the poetry of threshold and limit. Its about proceedings that incise directly or indirectly in your poetics texts, as: the instability on the fro
Publicado em: 2009
-
7. A lira assassina de Orfeu (Bernardo Santareno e os intertextos de O Inferno) / The killer lyre of Orfeu (Bernardo Santareno and the intertexts of O Inferno)
In order to compose the death song intoned by the serial killer Orfeu Wilson, the portuguese play-wright Bernardo Santareno brings to his play O inferno an intertextual discussion, dealing with the roots of criminals. This thesis aims at unveiling the intertexts fulfilled by Santareno and to study the thoughts of the psychiatrist dramaturgist, who tries to u
Publicado em: 2008
-
8. Sociedade, cognição e discurso: desvendando Cora Coralina / Society, cognition, and discourse: unveiling Cora Coralina
This thesis was developed in accordance with the socio-cognitive line of Critical Discourse Analysis and deals with the forms of biographical representation of poet Cora Coralina constructed by she herself and by other authors. The general objective of this thesis is to contribute to analytical studies of texts written by Brazilian regional authors. The spec
Publicado em: 2008
-
9. The Martial´s epigrammatic palimpsest : intertextuality and creation of meanings in the work of the poet from Bilbilis / O palimpsesto epigramatico de Marcial : intertextualidade e geração de sentidos na obra do poeta de Bilbilis
Like any text, the epigrams of the Latin poet Martial (c. A.D. 38 c. 104) are composed by the absorption and assimilation of other texts, with which they dialogue and to which they allude in very different ways and in very different mechanisms. When these allusions or intertexts incorporate into the Martials texts elements of form or content brought fro
Publicado em: 2008
-
10. Rompendo as fronteiras do saber : o documentário interativo Caramuru a invenção do Brasil sob a ótica da matriz teórica de Mikhail Bakhtin /
No processo de comunicação tradicional observamos um distanciamento entre a produção do conhecimento e a realidade do mundo, uma assintonia entre autor texto leitor. A rigidez do discurso escolar tradicional, notadamente marcado pelo viés monológico, nos levou a repensar este discurso sob a realidade social e tecnológica atual, no sentido de apontar u
Publicado em: 2007
-
11. Língua e Discurso nas crenças culturais sul-pantaneiras
This work is based on the socio-cognitive branch of the Critical Discourse Analysis, whose most important representative, since 1988, is van Dijk. It is also based on the theoretical notions of Discourse Analysis, derived from the French branch. Its subject is the study of discursive representations of cultural aspects shown by the pantaneiro - the men from
Publicado em: 2006
-
12. Espingardas e música clássica e Em Liberdade intertextos / intertempos (uma contextualização intertextual / paródica) / Espingardas e Música Clássica and Em Liberdade intertexts / intertiming (a intertextual and parodic contextualization)
This work inteds to compare and analyze the intertextual and the parodic process in Em Liberdade and in Espingardas e Música Clássica, whose authors are Silviano Santiago and Alexandre Pinheiro Torres, Brazilian and Portuguese writers, respectively. It also attempts to make a discussion around the historical, political and cultural aspects revealed in both
Publicado em: 2005