Identification And Cinema
Mostrando 1-8 de 8 artigos, teses e dissertações.
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1. Processos de estigmatização e contornos da deficiência : olhar para o cinema, olhar para as (im)possibilidades de ser
This dissertation¿s objective is the analysis of processes of stigmatization that limit spaces of belonging and the possibility of growing up of the subject with disabilities that are considered deviant, offering visibility to the respective naturalization dynamics, using cinema as a support tool. In this context, the spaces of belonging, as possibility of
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2012
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2. AGENCY BRAND OF LUXURY AT THE MOVIES: BREAKFAST AT TIFFANY S and The Devil Wears Prada / A REPRESENTAÇÃO DA MARCA DE LUXO NO CINEMA : BREAKFAST AT TIFFANYS E THE DEVIL WEARS PRADA
Na sociedade de consumo contemporânea, o desafio é conquistar e fidelizar consumidores. A fim de obter sucesso e destacar a empresa no mercado competitivo, as estratégias de comunicação se concentram nas marcas dos produtos, oferecendo ao público valores conceituais. Diante de tantas ofertas divulgadas na mídia, nesta pesquisa indagamos sobre o que im
Publicado em: 2009
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3. A outra língua em um filme hollywoodiano: um espaço destinado ao estrangeiro em "Nova York Sitiada" / The other language in a Hollywood film: a space for the foreigner in "New York under siege"
The continuous production of movies in Hollywood is organized according to certain major genres, each of which allows for predefined features in terms of contents. Over the last three decades, a subgenre of terror (the terrorist movie) has developed, reviving an existing tendency to produce catastrophe movies. This new category has offered other possibilitie
Publicado em: 2008
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4. From Stagecoach to Fox News Live: unconscious audiovisual structures in western cinema present on television representation / De No tempo das diligências a Fox News Live - as estruturas audiovisuais inconscientes do western presentes nas representações televisivas
The identification and exploitation of some of the audio-visual languages fundamental elements, by studying its origins, will allow us to suggest that these same remains are still present in the so-called Western cultural mode of news production nowadays. Probably, since the silent motion pictures, some visual imagery have been created and, therefore, in the
Publicado em: 2007
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5. Sobre a crítica cinematográfica brasileira: análise da produção periódica nos últimos cinco anos
Having as object the cinematographic criticism published in different daily newspaper of different Brazilian cities, this work is focused on an exam of the relation between critic jornalist and their readers and, more specifically, on the readers cultural enhancement. The corpus is constituted by in a selection of critic reviews of Luiz Zanin Oricchio, from
Publicado em: 2007
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6. Subcultura do Tuning: A Identidade Estendida na Personalidade de Automóveis
The admiration of people for automobiles has been known and revealed for many years all over the world. Being through academic studies, proprietor declaration and admirers, the automobile is an object of desire, admiration, love, passion, dream, pride and accomplishment which, with all of this, promotes various types of feelings with the identification, disc
Publicado em: 2007
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7. Articulações narrativas em Alfred Hitchcock
The objective of this research is to demonstrate that Hitchcock?s attention to confrontations, both in the treatment of themes and in the construction of characters, is present in different narrative structures that he developed, in this manner highlighted. The first chapter shows that characters are built so as to live the confrontation between guilt and in
Publicado em: 2006
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8. Grandes histórias, pequenos personagens:análise e identificação das estratégias de orientação de leitura no filme Nós que aqui estamos por vós esperamos. / Big stories, small characters: analysis and identification of film guide strategies into the movie nòs que aqui estamos por vós esperamos.
O premiado longa-metragem brasileiro Nós que aqui estamos por vós esperamos, de Marcelo Masagão, foi apresentado pela primeira vez ao público em 1999, sob a incomum classificação de ?filme-memória? e uma proposta ambiciosa: contar em 73 minutos a história do século XX. O personagem principal ? o ?homem comum?, anônimo e normalmente esquecido nas re
Publicado em: 2005