History And Theater
Mostrando 13-24 de 47 artigos, teses e dissertações.
-
13. A modernidade teatral em o homem e o cavalo de Oswald de Andrade
O presente estudo realiza uma análise da obra O homem e o cavalo (1934), de Oswald de Andrade, na tentativa de demonstrar a importância da dramaturgia oswaldiana no processo de modernização do teatro nacional. A peça se divide em nove quadros nos quais se constroi uma síntese do processo de formação histórica ocidental. A tônica do texto é a desco
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2010
-
14. The both films based on Orpheu, slum representation of landscape: the outside view and the belonging / Os dois Orfeus, representações da paisagem favela no cinema: o olhar estrangeiro e o olhar de pertencimento
This dissertation shows a reflection focused in the analysis cultural geography of the slumscape in the city of the Rio of Janeiro and in its representation in the cinema, for the movie speech presently in the works Black Orfeu (1959), direct by of Marcel Camus and Orfeu (1999), directed by Carlos Diegues. Both of them were inspired on Vinicíus de Moraess p
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 31/03/2009
-
15. Reason and emotion in creating a body s dramaturgy in dance theater / Razão e emoção na criação de uma dramaturgia do corpo em dança teatral
This research, entitled Reason and emotion in creating a body s dramaturgy in dance theater, was inspired in Paradox of comedian by Denis Diderot, which raises the question of reason and emotion as a paradox of the actor s work. Based on this principle we present the discussion of reason and emotion in the creative process in dramatical arts with an emphasis
Publicado em: 2009
-
16. Construção do conhecimento e narrativa : sempre à terceira margem / Knowledge construction and narrative : always to the third bank
The construction of the narrative as parallel, point of inflection and articulation with processes of personal construction of knowledge and changes in relationships. Taking different narratives, literary, philosophical, theatrical and musical mainly with them, from them, moving away from them sometimes, delineate the personal narrative to the treatment: one
Publicado em: 2009
-
17. A magia do cinema na praça:apropriação do espaço e sociabilidade em Salvador-BA
Its in the city spaces, molded from the uses and daily appropriations, that life is woven, as a product of the social relationships from the accumulation of history along with the present day fabric. Within this relationship, the old and the new are elements which make up this tapestry, as a result of the contribution of successive generations. The public sq
Publicado em: 2009
-
18. A trajetória de Gianni Ratto na indumentária / A trajetória de Gianni Ratto na indumentária
This research focus and analyses costume creation, from Italy to Brazil, of Gianni Ratto, director, set, light and costume designer, also author and a very important person in both Brazilian and Italian theater. The cataloguing, organization and the creation of photo archives of the images rescue part of the theater history. Together with the investigation o
Publicado em: 2008
-
19. The theatrical production of São Paulo in the 1980s / A produção teatral paulistana dos anos 1980: rabiscando com faca o chão da história: tempo de contar os prejuízos em percursão de andança
This analysis focus on the theater made for adults in the city of São Paulo, Brazil, between the years of 1980 and 1990. Until now many researchers think that this was a lost decade in the theater realm, because they do not recognize the immense aesthetic value of the Brazilian drama in this period. Nevertheless, based on an extended documentation and state
Publicado em: 2008
-
20. A Música-Gestus nos espetáculos: Esta noite mãe coragem, um homem é um homem e nossa pequena mahagonny
The present repercussions of Bertolt Brechts thoughts about the relation between music and theater were analyzed in this dissertation in three of Belo Horizontes recent theater stagings either based on or inspired by Brechts playwrighting, namely Esta Noite Mãe Coragem (2006), Um Homem É Um Homem (2005) and Nossa Pequena Mahagonny (2003). The analysis was
Publicado em: 2008
-
21. BODIES THAT HAVE INTERRUPTED THE SILENCE AND (RE) SIGNIFIED AN EXPERIENCE: THE THEATER IN TEACHERS INITIAL FORMATION / CORPOS QUE ROMPERAM O SILÊNCIO E (RES) SIGNIFICARAM UMA EXPERIÊNCIA: O TEATRO NA FORMAÇÃO INICIAL DE PROFESSORAS
This work fits on the research line Professional Formation, Knowledge and Development and has as an objective to investigate some representations that college students of daytime Pedagogy Course had in relation to theater both before and after they experience the theatrical language in the subjects Theatrical Game I and Theatrical Game II. The choice for thi
Publicado em: 2008
-
22. Vakhtangov in search of the theatricalization / Vakhtangov em busca da teatralidade
Vakhtangov in search of the theatricalization takes as an object of study the ways of formation of scene and the proposals for the work of the actor in the last works developed by the Russian director, in the years of 1920-1922, and his contributions for the contemporary theater. During this period, there were analysed the proposals of re-creation of concept
Publicado em: 2008
-
23. Do picadeiro ao céu : o riso no teatro de Ariano Suassuna
The analysis of this work seeks to investigate the meaning of the laughter in the paraibano writer Ariano Suassunas armorial theater. The study departs, firstly, from an argumentation which centers its content in the theory of the many theoreticians of the question: Henri Bergson, Vladimir Propp, Jolles, Freud, Bakhtin. The essence of the laughter in Suassun
Publicado em: 2008
-
24. Do romance ao teatro : a teatralidade como recurso para a representação na obra de Sérgio Sant Anna : (dissertação em 1 prólogo, 4 atos e 1 epílogo)
Reading the Brazilian contemporary narrative, we might think the ground we are on is more and more slippery. The authors seek to express the troubles in writing throughout texts characterized by less linearity in contrast with tradition and by the mode they ironically play with the narrative elements. A path to understand such production is to discuss, durin
Publicado em: 2008