The both films based on Orpheu, slum representation of landscape: the outside view and the belonging / Os dois Orfeus, representações da paisagem favela no cinema: o olhar estrangeiro e o olhar de pertencimento

AUTOR(ES)
FONTE

IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia

DATA DE PUBLICAÇÃO

31/03/2009

RESUMO

This dissertation shows a reflection focused in the analysis cultural geography of the slumscape in the city of the Rio of Janeiro and in its representation in the cinema, for the movie speech presently in the works Black Orfeu (1959), direct by of Marcel Camus and Orfeu (1999), directed by Carlos Diegues. Both of them were inspired on Vinicíus de Moraess play theater, Orfeu da Conceição, scened in 1956. Such speech surfaces like instrument of understanding of the evolution process that created a kind of lineage of the slum in the city. Forty years spent between the first film Black Orfeu (1959) and the last film Orfeu (1999), the real landscape and fiction landscape of the slum changed a lot in short time. Forty years of changes in the history of the world, of the culture, of the Rio de Janeiro city, of the slum and of the film making techniques made possible the birth of two different works, in function of foreign look and of belonging look or look from the native that indicate the vision of filmmakers vision. The new cultural geography and the interdisciplinary form supply instrumental appropriated for the study, for the analyze complex relations among politic, economic and culture and the landscape. The slum is one of the most known signs of the Rio of Janeiro city pole of the dualism between the inclusion and the social exclusion.

ASSUNTO(S)

geografia cultural paisagem favela cinema cidade do rio de janeiro geociencias cultural geography landscape of the slum movies rio de janeiro city

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