Cinematographic Industry
Mostrando 1-8 de 8 artigos, teses e dissertações.
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1. STRUCTURING AND FINANCING OF BRAZILIAN FILM INDUSTRY: THE AMBITION OF A SELF-SUSTAINING PATH / ESTRUTURAÇÃO E FINANCIAMENTO DA INDÚSTRIA CINEMATOGRÁFICA BRASILEIRA: A AMBIÇÃO DE UMA TRAJETÓRIA AUTOSSUSTENTÁVEL
O desenvolvimento e consolidação da atividade cinematográfica enquanto indústria resultou de um processo longo e complexo de ações por parte de agentes tanto privados como governamentais do mundo todo, no intuito de encontrar um equilíbrio industrial, financeiro e social para esta atividade altamente onerosa e arriscada, porém estratégica para a mai
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 17/10/2012
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2. O retorno dos devices reprimidos: uma análise comparativa entre a pré-história do cinema e o início da tecnologia móvel
With the objective of better understanding the cell phone as a device for cinematographic contents, or simply cine mobile, and in an attempt to get a glimpse of future possibilities for this new medium, this essay compares it with the origins of cinema, the very first actual steps of the illusion of movement, and more specifically with the Mutoscope. And thi
Publicado em: 2010
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3. Discursos de intervenção: o cinema de propaganda ideológica para o CPC e o ipês às vésperas do golpe de 1964 / Discursos de intervenção: o cinema de propaganda ideológica para o CPC e o ipês às vésperas do golpe de 1964
The present dissertation aims the investigation of the political propaganda film industry production between 1961 and 1964 by two ideological character associations: the Instituto de Pesquisas e Estudos Sociais Ipês (Research and Social Studies Institute), managed especially by liberal and anticommunist rich businessmen; and the Centro Popular de Cultura CP
Publicado em: 2008
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4. SUTIS RESISTÊNCIAS: CRIAÇÃO CINEMATOGRÁFICA E INSTÂNCIAS DE PRODUÇÃO DE FILMES / SUBTLE RESISTANCIES: FILM CREATION AND PRODUCTION INSTANCIES
If the tension between artistic work and the market`s logic hunted art in general, since the beginning of mass culture in mid nineteen century, it became present in films since its birth: beyond the dimension of work of art, with the invention of the spectacle of projection, films became a largely consumed product which imposed industry production methods an
Publicado em: 2008
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5. Das primeiras experiências ao fenômeno Zé do Caixão: um estudo sobre o modo de produção e a recepção dos filmes de José Mojica Marins entre 1953 e 1967 / Das primeiras experiências ao fenômeno Zé do Caixão: um estudo sobre o modo de produção e a recepção dos filmes de José Mojica Marins entre 1953 e 1967
The objective of this study is to analyze José Mojica Marins excursion into cinema, as well as the process by which the director and his character Zé do Caixão have become culturally relevant through strong media promotion. In order to do so, we focus on the study of the mode of production and the reception of the authors four feature movies A Sina do Ave
Publicado em: 2008
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6. AS MARCAS QUE SE IMPRIMEM NA CAPA DE LIVROS ADAPTADOS PARA O CINEMA E PARA A TELEVISÃO
The object of this work are the verbal and the non-verbal signs printed on book covers - written by brazilian authors and adapted for cinema or television - associating the book to the cinematographic or television production. Its objective was to verify if such signs could or not be classified as paratext according to Gerard Genettes concepts. The motivatio
Publicado em: 2007
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7. Precisamos ter um cinema nacional? a retomada do cinema brasileiro 1993-2003
The subject of the present dissertation is the Return of Brazilian national cinema, since the creation of the Audiovisual Bill, in 1993, up to the creation of ANCINE in 2003. Two questions guided this research: do we need to have national cinema? What kind of cinema do we find desirable? Both questions require reflecting over three aspects, which constitute
Publicado em: 2005
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8. Entre cantos e chibatas : a pobreza em rima rica nas canções de João Bosco e Aldair Blanc
This work has as a central axe the reflection about the música popular brasileira by the analysis of the various elements that compose the song, as well as its relationships with phonographic industry, with other languages (historiographic, poetic, cinematographic, theatrical, television and of course, musical) haven t been forgotten. For that reason, we ve
Publicado em: 2001