Procedimentos de trabalho na captação de som direto nos longas-metragens brasileiros Contra todos e Antônia: a técnica e o espaço criativo / Working methods in synchronous sound recording in the Brazilian feature films Contra todos and Antônia: techniques and creative space.

AUTOR(ES)
FONTE

IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia

DATA DE PUBLICAÇÃO

21/03/2011

RESUMO

This study is a reflection on the working methods of synchronous sound recording focusing on the description and analysis of the procedures used in the sound recording of the Brazilian feature films Contra todos and Antônia. The practice of synchronous sound recording is conceived as a working method shared by professional recordists, with procedures guided by technical parameters that surfaced very early in the transition period from silent to sound films, then to the establishment of representational standards of the American classical cinema. Being technology dependent, the working method of sound recording renews itself with the coming of new tools, that enables new ways of working. The experiences in focus reveal the broad spectrum of choices involved in the practice of the sound recordist, unveiling the existence of a creative component in the process. Production issues, budgetary constraints and the advent of new technology stimulate the emergence of procedures that dynamically reform the traditional working method in sound recording.

ASSUNTO(S)

cinema cinema direct sound direct sound recordist som direto técnico de som direto.

ACESSO AO ARTIGO

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