Of the dual to abjection: a reading of The Confession of Lucio Mario de Sá-Carneiro / Do duplo à abjeção: uma leitura de A Confissão de Lúcio de Mário de Sá-Carneiro
AUTOR(ES)
Fiorella Ornellas de Araujo
DATA DE PUBLICAÇÃO
2009
RESUMO
The present work aims to analyse the book A Confissão de Lúcio from Mário de Sá-Carneiro, for the perspectives of the sort and the sex, of the double one and the abject one, constructed through and in the protagonists Lúcio-Marta-Ricardo. Elaborated as sexual parts of the ambiguity carried through under the erotic desires and relationships auto-homo-heterosexuals, in which the relations human beings represent a erotic delivery, the personages can consequently be tied with the not predominant or not normative identities (as, for example, to the homosexuality). An intension of Mário de Sá-Carneiro is perceived to transgress the laws of the nature, for the projection of the soul as well as for the attempt to find the other, the double one. In this line of thought, it is seen in the book, therefore, an attitude of identification with the ideas of the abjection of questioning to the established order, in which to the controversy of the identities of sort in relation to the positioning of the feminine-masculine of the personages if it associates with a pretension of bond of the material with the spiritual. It is important to stand out that for this analysis had been used, as centers of interest, the theoretical principles of Julia Kristeva (abjection), Judith Butler (sex and sort), Sigmund Freud (Psychoanalysis), as well as the ones of the proper author and the portuguese modernism.
ASSUNTO(S)
portuguese modernism abjection orpheu orpheu mário de sá-carneiro modernismo português duplo mário de sá-carneiro abjeção double
