EX-CITAÇÃO DA PINTURA NO CINEMA: DIÁLOGOS MEDIÁTICOS
AUTOR(ES)
Ivana Barbosa Paulatti
DATA DE PUBLICAÇÃO
2006
RESUMO
This work pursuit to demarcate its interest domains in the mediatic communication interfaces that evokes explicitly in filmic text and are compromised with some of the basic resources of the pictorial languages. When searching the intertextual dialectic of the painting with the cinema and inside of the cinema the study intends to point out the frame code as a converter of this dialectic, where the geometric perspective of a painting finds parity in another painting, supported in the analytical instrument created by Groupe . The aim of this study is to observe the frame as one of the accesses to the questions of the edges of the representation and the meaning of an act of a image delimitation, considering its function in such a way to create the distinction between two worlds, the interior and the exterior, as to establish the dialogue between the film speech and the pictorial speech. For that, on the basis of the film Girl with a Pearl Earring, of Peter Webber, analyzes the effects of interface, that are carried through by means of the interferences of the composition of a painting in the framings that structuralize a film sequence, with the intention to identify the rhetoric produced in this process.
ASSUNTO(S)
intertextuality cinema pintura frame comunicacao intertextualidade rhetoric cinema comunicação e linguagens retórica painting moldura diálogos midiáticos
