Do frame à pintura

AUTOR(ES)
FONTE

IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia

DATA DE PUBLICAÇÃO

05/10/2011

RESUMO

The study starts on the encounter, in contemporary art, between analog and digital media made possible by the use of technological means. It deals, more specifically, with the materiality and immateriality of painting and video languages, been based on artists of the contemporary scenes productions, Romanita Disconzi and my own poetic work. The poetic investigation is about the frames transposition, moments, minimum divisible part of scenes of human bodies in motion, from the movie Cidade de Deus, for the painting. The images, transposed into the contemporary painting by the technique of painting on canvas and acrylic alternative surfaces, materialize frames of movie scenes and reveal the look changed through the electronic means. The study also discusses the material record of the tiny fraction of the video, digital imaging and painting - frame, pixel and brush stroke - as the smallest piece that still allows the identification of the differentiated processes of observation. In this sense, the final result of the pictorial body, pervaded by the hybridization notion, as used by Couchot, leads us to the blind spot of the video - where the video sees nothing - and to the subjective field of the temporality of movie scenes

ASSUNTO(S)

mídias analógicas e digitais vídeo imagem digital pintura frames pixel pincelada hibridação arte contemporânea arte digital pintura moderna séc. xx imagens, ilustrações, etc. vídeo-arte artes digital and analog medias vídeo digital image painting frames pixel brush troke hybridization contemporary art

ACESSO AO ARTIGO

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