A manifestação de Cronos em 35mm: tempo no cinema / The manifestation of the Cronos in 35 mm: the tense in the movies
AUTOR(ES)
Odair José Moreira da Silva
DATA DE PUBLICAÇÃO
2004
RESUMO
This work aims at constructing deductively the temporal system that governrs over to the temporalization procedure in the movies. For this, it studies, on the basis of French Semiotics, temporal localization, temporal programming, textual programming and tense aspectualization. Starting from the idea that movies is the art of the present, it shows that the facts narrated in one movie can be situated in the present of the present, the present of the past or the present of the future. After that, it examines the possibilities of presentifying anteriorities and posteriorities. Temporal programming is the representation of the order of events that can be counted concomitantly, successively or in an inverted way. Textual programming represents the duration of the narrated facts. The duration of the narration can be equal, to bigger or smaller than that of the narrated event. The aspectualization can be quantitative (tempo) or qualitative. This is always durative and the durativeness is articulated in inchoative, cursive (continuous or discontinuous) and terminative aspects. The tempo can be normal, slow, accelerated or frozen.
ASSUNTO(S)
programação temporal localização temporal temporal localization temporal programming aspectualização do tempo aspectualization of tense temporalização no cinema programação textual temporalization in the movies textual programming
