Aesthetics Of Cinema
Mostrando 13-24 de 25 artigos, teses e dissertações.
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13. A BUSCA ESTÉTICA DE LUCRECIA MARTEL: O CORPO COMO EXPERIÊNCIA DO SENSÍVEL E DA EXISTÊNCIA / LUCRECIA MARTEL´S SEARCH FOR AESTHETICS : THE BODY AS EXPERIENCE OF THE SENSIBLE AND OF EXISTENCE
The present thesis examines the cinematographic work of Lucrecia Martel, Argentinean contemporary director, investigating the proposed aesthetics of her films, thoroughly grounded in the idea of ruin and experience. From the initial notions of the body as instrument of thought, and of the experience of the sensible and of existence, the thesis observes how L
Publicado em: 2007
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14. A crônica visual de Michelangelo Antonioni / The visual chronic of Michelangelo Antonioni
This study attempts to understand the inversion of what Antonioni makes in the relation between image and text in the cinema. The fiction is no longer enough to approach politically the contemporaneous world. Only the image polissemic is able to create a sort of "disembroil" that does not let to reduce to just one sense, and for consequence lightens another
Publicado em: 2007
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15. Cinema e industria: o conceito de modo de produção cinematográfico e o cinema brasileiro / Cinema e industria: o conceito de modo de produção cinematográfico e o cinema brasileiro
This thesis discusses the historiography of Film History. Film History has produced a set of material that, generally, takes as starting point the films themselves and do not consider extra text material, such as the economy and the reception of the film. This work attempts, through the concept of mode of production, bridge under a conceptual apparatus match
Publicado em: 2007
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16. O real no imaginário: estéticas realistas nas ficções nacionais contemporâneas / The real in the imaginary: realistic aesthetics on contemporary national fictions
Grounded in the traditional discussion between the formative and realistic proposals in cinematographic theory and in the perception of blurred boundaries between the fictional and non-fictional genres, the present study has intended to analyze on contemporary national fictions the application of techniques that evoke realistic indexes at its productions. Al
Publicado em: 2007
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17. O cinema audiovisual: um formato configurado na interação teatro/cinema e tv
The culture of the audiovisual has since 1980 been expanding as a circulating space for a set of old and new creative expressions. This movement promotes significant changes in the practices within the systems of signs and means, originating new formats whose compositions unveil the convergence of languages, regardless of the means which originate them and w
Publicado em: 2007
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18. Vereda da SalvaÃÃo e Terra para Rose: interfaces entre a escritura documental no teatro e no cinema
This study has set out to investigate the documental form of the drama text Vereda da SalvaÃÃo (1957-63) by Jorge Andrade and the film Terra para Rose (1987) by Tetà Moraes. The existing proximity between the aesthetics construction of both works allows the establishment of relation-ships between them, considering that, although they make part of distinct
Publicado em: 2007
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19. Educação do vestir : roupas, memoria e cinema
Through the glance of the cinematographic camera, this study search to contemplate on the forms, cuts, woven, atmospheres and colors that disclose the images of dressing as memory and the clothes as narrator executes of the emotions of who dresses them. Starting from the film "In the mood for love" (Wong Kar-Way, 2000), we observed aspects that reveal the me
Publicado em: 2006
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20. Um campo de concentração brasileiro : marcas enunciativas do mal-estar e da violência nas instâncias formal e diegética de Cidade de Deus
The violence is one of the most remarkable aspects about contemporary brazilian cinema. Cidade de Deus (City of God) is, in this universe of violence and of violent discourses, one of the most uncomfortable national movies of nowadays, not only because it tell us about a world of criminality, poverty and exclusion, but because it shows real stories. If they
Publicado em: 2006
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21. Olhe bem mais de perto : beleza americana e a personalidade autoritaria em foco
In this dissertation the collective research "The Authoritarian Personality", in which Theodor W. Adorno has participated, and the movie "Arnerican Beauty", written by Alan Ball and directed by Sam Mendes, have been brought into focus. The aim was to pursue the movements of looking in the sociological work and in the audiovisual product as well, considering
Publicado em: 2006
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22. Gestos pornográficos: desejo, estética e erotismo
The field of experimentation of this work is the movement of prostitutes bodies, that are convoked from bodies eroticism and bodies in the cinema: the transition of attitudes to gestures. This text is established in the limit of the experience of bodies eroticism: immoderate proliferation of life, multiplicity of movements of the bodies, difficulty of the pr
Publicado em: 2006
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23. Por uma poética do cinema de animação / For a poetic of cinema animation
A proposta dessa pesquisa é estudar os fenômenos poéticos oriundos da linguagem articulada pela cinematografia de animação, ou seja, estudar os processos de significação que subjazem ao modo poético de expressão. Para tanto, selecionamos quatro filmes de animação, de curta-metragem, originalmente projetados para serem veiculados no cinema mas disp
Publicado em: 2005
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24. Imagem-movimento, imagens de tempo e os afetos "Alegres" no filme "O Triunfo da Vontade", de Leni Riefenstahl: um estudo de sociologia e cinema. / Movement-image, time images and "Joyful Affects" in Leni Riefenstahls motion picture Triumph of the Will: a study in sociology and cinema.
A tese analisa o filme O Triunfo da Vontade, de Leni Riefenstahl, a partir das imagens clichês de alegria e felicidade nele presentes. O que se pretende mostrar é como a cineasta utiliza exaustivamente imagens do que é considerado espetacular, extraordinário, harmônico, alegre e feliz. Procedimento que contribuiu, em grande medida, para a divulgaç�
Publicado em: 2001