Cinema e industria: o conceito de modo de produção cinematográfico e o cinema brasileiro / Cinema e industria: o conceito de modo de produção cinematográfico e o cinema brasileiro

AUTOR(ES)

Leandro José Luz Riodades de Mendonça

DATA DE PUBLICAÇÃO

2007

RESUMO

This thesis discusses the historiography of Film History. Film History has produced a set of material that, generally, takes as starting point the films themselves and do not consider extra text material, such as the economy and the reception of the film. This work attempts, through the concept of mode of production, bridge under a conceptual apparatus matching up aesthetic and economic matters. In doing so, the work critically looks at the fifties Brazilian Film History and makes basically two propositions: one is that Cinema may be understood through the conception of mode of production; the second consists of the description of two examples, in general terms, of modes of production coexistent in the decade. Finally, it highlights that the set of chanchada films, produced by Atlantida, may be characterized as a mode of production that is in many ways opposed to the more recent modes of production represented by the film Rio 40 Graus.

ASSUNTO(S)

cinema brasileiro cinematographic technique estética cinematográfica história history film economy brazilian cinema marxism and cinema cinematographic aesthetics marxismo e cinema história do cinema modo de produção cinematográfico economia do cinema film history modes of production técnica cinematográfica

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