Actor Director
Mostrando 13-21 de 21 artigos, teses e dissertações.
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13. Entre a precisão e espontaneidade: Grotowski e os princípios pragmáticos do trabalho do ator
This work approaches the relationship between precision and spontaneity as a pragmatic principle of the actor s craftsmanship base, from the texts and reports of the polish director Jerzy Grotowski. The analysis is led by a pragmatic logic, in which the concepts are dynamically connected with the practice. We observe the pair, precision and spontaneity, situ
Publicado em: 2007
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14. Música de festa para o encontro com Ilo Krugli
Music of feast to the encounter with Ilo, of Ive Novaes Luna, with orientation of Dr. José Ronaldo Faleiro, to intend a reflection about music of Ventoforte Theater. For this, in the first chapter the search traces a way that proposes surroundings between the present poetry in the letters of songs of Ventoforte s spectacles, written by Ilo Krugli, and the p
Publicado em: 2007
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15. Ma: entre-espaço da comunicação no Japão um estudo acerca dos diálogos entre Oriente e Ocidente / Ma: an inter-space of communication in Japan a study on the dialogues between east and west
The dissertation investigates a few possibilities to translate the Japanese cultural element known as Ma, which represents an inter-space in which and at what time the process of communication occurs. The study starts from the understanding of Ma as a quasi-sign, which in its turn is a concept from Peircean semiotics, recognizable only through its materializ
Publicado em: 2007
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16. A palavra e o ato: memórias teatrais em Goiânia / The word and the act: theatral memories in Goiânia / The word and the act: theatral memories in Goiânia / A palavra e o ato: memórias teatrais em Goiânia
The project A Palavra e o Ato: Memórias Teatrais em Goiânia (The Word and the Act: Theatral Memories in Goiânia) is the result of a bibliographical research, directed by professor Márcio Pizarro Noronha, building a theoretical body for the analysis of verbal interviews collected from the artists and collaborators of the group Teatro Exercício from Goiâ
Publicado em: 2007
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17. Conselho de Escola: cenários e desafios de uma escola pública de Natal
This dissertation work studies the Board of Director , created in 1995, in the public schools of the Rio Grande do Norte. It aims to analyze if the creation of this collegiate at Berilo Wanderley State School contributes to accomplish the participation of school segments, democratizing the decision-making in the interior of the institution. This research con
Publicado em: 2005
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18. O campo de visão : exercicio e linguagem cenica
Believing that Improvisation is the great expedient for the actor to expand and find a place where he can simultaneously engender and gush his creativity, this dissertation aims at the systemization of a theater improvisation exercise called "Campo de Visão". This systemization was created throughout the rehearsals of "A hora em que não sabíamos nada uns
Publicado em: 2003
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19. No caminho do mito : um olhar sobre o processo de criação de Nonoberto Nonemorto - Grupo Andaime de Teatro Unimep
This research proposes to investigate the creative process followed by the Unimep theatrical group Andaime for the performance of Luís Alberto de Abreu s play Nonoberto Nonemorto. Director Francisco Medeiros brought his invaluable insight to the text and to his actors work. This author has participated as an actor in this and in three other plays which emco
Publicado em: 2002
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20. A reinvenção da provincia : a revista Joaquim e o espaço de estreia de Dalton Trevisan
This essay addresses a few aspects of the second half of the 40 s in what respects the emergence of a significant number of young magazines which altered the literary geography in post-war Brazil. In spite of intending to elucidate the phenomena of the young magazines, it concentrates on the one that was the most representative within this period: Joaquim, w
Publicado em: 1998
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21. What's in a name?
Nothing seems to engender more passion and provoke more quarrels than the matter of assigning names to things. Cell biologists seem to have about as much imagination as the American actor/screenplay writer/director Sylvester Stallone, who came up with Rocky; Rocky II; Rocky III and Rocky IV: ... and then Rambo; Rambo II; Rambo III.
BioMed Central.