Plastic Artists
Mostrando 13-24 de 27 artigos, teses e dissertações.
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13. Magistério e cultura: a formação cultural dos professores e sua percepção das potencialidades educativas dos museus de arte
This report of research has the objective of presenting an analysis of the collected data for the realization of a study that pretends to analyze the existent relations between the cultural formation of the basic school and high school teachers, that work at the public education system of São Paulo, and their perceptions of the art museums education potenti
Publicado em: 2008
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14. Joseph Kosuth: Análise de uma teoria para a arte
This research is based on Joseph Kosuth writings. He is an American plastic artist and is considered one of the most influent in the contemporary art movement, known as Conceptual Art. Among all of the conceptual artists, he was one who most dedicated his thoughts to the construction of consistent theoretical bases to the delimitation of this movement. He pr
Publicado em: 2007
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15. Lygia Clark e Merleau-Ponty : paralelos / Lygia Clark and Merleau-Ponty : parallels
This text has the main purpose to show some important aspects about two works: from one of the most important brazilian plastic artists in the 20th century Lygia Clark (1920-1988), and one of the principal phenomenological thinking developer, the french philosopher Maurice Merleau-Ponty (1908-1961). There is an historical context at first, because Merleau-Po
Publicado em: 2007
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16. Wor(l)d of Art: Inscriptions of the Page, obscure Poetry in Conceptualism
In the 60s and 70s, Conceptual Art emerged as ground-breaking tendency when making of verbal language one of its most sigfnificant instruments of creation. Taken off the intimacy of paper, words were put in evidence shaking artistic categories with works that stood between images and letters. In an environment of de-mythification of the imagetic value, Conce
Publicado em: 2007
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17. A Disputa da Argila pelos ArtesÃos do Alto Do Moura â Caruaru â PE
On the formation of the earthly crust, several minerals gather and make up different kinds of rocks. Nature itself is in charge of consuming the rocks which are on the surface, by elaborating several relievo physionomies. Drainage is separated by hydrographic basins. Ipojuca river hydrographic basin, created thanks to the great failure known as Pernambucano
Publicado em: 2007
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18. A criação do sujeito comunicação, artista e obra em processo
This thesis intends to demonstrate that the artistic work and the creator are part of a communicational process. They are produced as from a language directed to the other and are signs to be interpreted, in constant circulation in the culture. The psychoanalysis theoretical reference, of freudian and Lacanian approach, is used, as well as operators of a the
Publicado em: 2006
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19. Kandinsky e o cavaleiro: a presença do tema do cavaleiro na obra do artista
This thesis approaches the work of Wassily Kandinsky (1866-1944), starting from the identification of the rider in his works, seeking to understand the motivation and constancy of the exploitation of the theme, by means of the connection between the theoretical reflections and plastic production of the artist. It aims to point out, in the reflections of the
Publicado em: 2006
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20. Encontro de Bandeiras: o ciclo festivo do Triângulo Mineiro, São Carlos, Estado de São Paulo.
This research is an ethnographic study of Folia de Reis , (a kind of catholic party of kings and merry-makers) that analyzes more than their rituals and practices, but also embraces the social spaces that comprise it. This work describes and interprets the religious factions of the party celebrating the Saints kings, as essential elements that together confi
Publicado em: 2006
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21. Literature, fine arts and cinema: correspondences and transformations in Clarice Lispector / Literatura, artes plásticas e cinema: correspondências e transformações em Clarice Lispector
The expression ut pictura poesis by Horaces Ars Poetica gave rise to the inter-relationship of the signs of arts. Hence, if relationships can be established between poetry and painting, likewise, there are some possible relationships amongst the literary text and other arts and medias. This study hypothesizes that similar cosmovisions express similar transla
Publicado em: 2006
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22. Imagens de um Rio : um olhar sobre a iconografia do Rio Tiete / Images of a river: one look at on the iconography of the Tiete river
Survey and analysis of the iconography of the Tietê river, observing the diversity of meanings of this river during its history and the corresponding plastic representations. The cartography of the first ?monções? (expeditions over the Tietê river in the XVIII-th and XIX-th centuries) was briefly analyzed through the works of the traveling artists - in s
Publicado em: 2005
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23. CONCRETIST DESIGN: A STUDY ON THE RELATIONSHIPS BETWEEN THE GRAPHIC DESIGN, THE POETRY AND THE CONCRETIST PLASTIC ARTS IN PERIOD OF 1950/1964 / DESIGN CONCRETISTA: UM ESTUDO DAS RELAÇÕES ENTRE O DESIGN GRÁFICO, A POESIA E AS ARTES PLÁSTICAS CONCRETISTAS NO BRASIL, DE 1950 A 1964
At the begining of the fifty´s in Brazil, especifically in Rio de Janeiro e São Paulo, a group of graphic designers embraced the ideals of The Concrete Art by importing The European concepts of Funcionalism and Constructivism. The hipothesys suported in this essay is that it existed, like Concrete Poetry, Concrete Plastic Arts and Concrete Photography, a B
Publicado em: 2005
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24. Communication and meaning: the material in the fine arts / Comunicação e Sentido:a matéria nas artes plasticas
This study is based on the presumption that the production, circulation and grasp of meaning should be the ultimate purpose of any communication theory that is able to conceive both the individual and the social as mutually built from exchanges of meanings where both aspects are involved with each other. It takes as its corpus a group of paintings and sculpt
Publicado em: 2005